Add to ORKGSean Street has led three major projects to digitise early commercial radio archives during his time as Director of the Centre For Broadcasting History Research in the Media School at Bournemouth University. This article explores the importance of such material as an educational resource
The conceit of this chapter is to try not only to think about radio per se, but to think through rad...
The article describes radio archives as cultural heritage and presents their practical use as integr...
This issue of Journal of Radio & Audio Media serves as a gesture toward increasing attention to many...
Joint paper delivered by Sean Street and David Lee, Director of the Wessex Film and sound Archive ab...
The Centre for Broadcasting History Research in the Media School at Bournemouth University, and the ...
The Centre for Broadcasting History Research, in association with the British Universities Film and...
As part of continuing work on a project, A Remembered Soundscape, this paper discusses the experienc...
Bournemouth University and the Centre for Broadcasting History Research [CBHR] Archive collections h...
This paper will consider my own work Radio Recall (2013) Dream Vessels (2016) and Dreamspace (2016) ...
This article offers insights into the historical symbiosis between oral history and radio and the re...
Today more than half of all radio listening in the UK is occurring through digital platforms. Within...
Creative radio is written and produced from an unavoidable set of material conditions, but received ...
In the early 1960s, the BBC was given the opportunity to demonstrate that it had the skills and reso...
This article makes an argument for connecting old and new technologies in our efforts to create a co...
Radio is the new medium of the 20th century, reinvented over again as new information and communicat...
The conceit of this chapter is to try not only to think about radio per se, but to think through rad...
The article describes radio archives as cultural heritage and presents their practical use as integr...
This issue of Journal of Radio & Audio Media serves as a gesture toward increasing attention to many...
Joint paper delivered by Sean Street and David Lee, Director of the Wessex Film and sound Archive ab...
The Centre for Broadcasting History Research in the Media School at Bournemouth University, and the ...
The Centre for Broadcasting History Research, in association with the British Universities Film and...
As part of continuing work on a project, A Remembered Soundscape, this paper discusses the experienc...
Bournemouth University and the Centre for Broadcasting History Research [CBHR] Archive collections h...
This paper will consider my own work Radio Recall (2013) Dream Vessels (2016) and Dreamspace (2016) ...
This article offers insights into the historical symbiosis between oral history and radio and the re...
Today more than half of all radio listening in the UK is occurring through digital platforms. Within...
Creative radio is written and produced from an unavoidable set of material conditions, but received ...
In the early 1960s, the BBC was given the opportunity to demonstrate that it had the skills and reso...
This article makes an argument for connecting old and new technologies in our efforts to create a co...
Radio is the new medium of the 20th century, reinvented over again as new information and communicat...
The conceit of this chapter is to try not only to think about radio per se, but to think through rad...
The article describes radio archives as cultural heritage and presents their practical use as integr...
This issue of Journal of Radio & Audio Media serves as a gesture toward increasing attention to many...
