This chapter focuses on the interface - the part of the instrument that facilitates interaction between a player and sound generating systems. It describes some background to musical instrument design, outlines the PIDS design framework, and then details a case study of the design and development of new electronic controllers for the jam2jam music system. In traditional musical instruments, the sound source and interface are integrated, but these two parts are often separate in electronic instruments. With the introduction of the MIDI (Musical Instrument Digital Interface) protocol in the mid-1980s, this separation of interface and sound source was further facilitated. At present, the OSC (Open Sound Control) protocol is widespread and allo...
The interactive augmentation of musical instruments to foster self-expressiveness and learning has a...
Computer music performance environments have evolved greatly in recent years, allowing complex contr...
Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controll...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper presents observations on the creation of digital music controllers and the music that the...
International audienceThis chapter discusses possible links between the fields of computer music and...
An interface is a field of abstractions where two systems interact with one another. We typically us...
This paper addresses the issue of music as a communication medium in auditory humancomputer interfac...
This paper addresses the issue of music as a communication medium in auditory human-computer interfa...
This paper reviews the existing literature on input device evaluation and design in human-computer i...
This paper addresses the issue of music as a communication medium in auditory humancomputerinterface...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
This paper is about the use of an interaction model to describe digital musical instruments which ha...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
Musical instruments and musical user interfaces provide rich input and feedback through mostly tangi...
The interactive augmentation of musical instruments to foster self-expressiveness and learning has a...
Computer music performance environments have evolved greatly in recent years, allowing complex contr...
Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controll...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper presents observations on the creation of digital music controllers and the music that the...
International audienceThis chapter discusses possible links between the fields of computer music and...
An interface is a field of abstractions where two systems interact with one another. We typically us...
This paper addresses the issue of music as a communication medium in auditory humancomputer interfac...
This paper addresses the issue of music as a communication medium in auditory human-computer interfa...
This paper reviews the existing literature on input device evaluation and design in human-computer i...
This paper addresses the issue of music as a communication medium in auditory humancomputerinterface...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
This paper is about the use of an interaction model to describe digital musical instruments which ha...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
Musical instruments and musical user interfaces provide rich input and feedback through mostly tangi...
The interactive augmentation of musical instruments to foster self-expressiveness and learning has a...
Computer music performance environments have evolved greatly in recent years, allowing complex contr...
Is there a distinction between New Interfaces for Musical Expression and New Interfaces for Controll...