Add to ORKGIn this paper I outline some of the historiographical issues that inflect the study of objects within Australian art history, firstly for the nineteenth century and then, more briefly, for the twentieth
Labour and economics are traditional strengths of Australian history, though in recent decades cultu...
This thesis critically examines site-specific art projects in Australian museums from the late 1960s...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
The place from which designs originate renders them distinctive and connected to the global and the ...
This is a history of Aboriginal and settler art between 1830 and 1930. The focus is a close study o...
ABSTRACT In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Berna...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
University of Technology, Sydney. Faculty of Arts and Social Sciences.This thesis discusses the mean...
These reflections on my current project, ‘A History of UnAustralian Art’, strike me as being of litt...
Australian design and its history, popularly perceived from both within and without as marginal, are...
© 2018 Cathleen Gabriella Marie RosierThis thesis is a study of collector Dr. Samuel Arthur Ewing (1...
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
The 2008 Congress of the International Committee of the History of Art in Melbourne suggested in its...
This paper looks at Australian art criticism at the start of the 1970s and at the emergence of a sho...
This article is partly concerned with defining the history of history exhibitions in Australia as a ...
Labour and economics are traditional strengths of Australian history, though in recent decades cultu...
This thesis critically examines site-specific art projects in Australian museums from the late 1960s...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...
The place from which designs originate renders them distinctive and connected to the global and the ...
This is a history of Aboriginal and settler art between 1830 and 1930. The focus is a close study o...
ABSTRACT In this article, presented as the Second Annual Thesis Eleven Centre Lecture in 2003, Berna...
This paper examines the Aboriginal Art revolution that has occurred over the last 40 years in Austra...
University of Technology, Sydney. Faculty of Arts and Social Sciences.This thesis discusses the mean...
These reflections on my current project, ‘A History of UnAustralian Art’, strike me as being of litt...
Australian design and its history, popularly perceived from both within and without as marginal, are...
© 2018 Cathleen Gabriella Marie RosierThis thesis is a study of collector Dr. Samuel Arthur Ewing (1...
This is the author accepted manuscript. The final version is available from Wiley via the DOI in thi...
The 2008 Congress of the International Committee of the History of Art in Melbourne suggested in its...
This paper looks at Australian art criticism at the start of the 1970s and at the emergence of a sho...
This article is partly concerned with defining the history of history exhibitions in Australia as a ...
Labour and economics are traditional strengths of Australian history, though in recent decades cultu...
This thesis critically examines site-specific art projects in Australian museums from the late 1960s...
The recent public advent of Aboriginal and Torres Strait Islander art and its national and internati...