Figures confirm that Australians avidly read their creative non-fiction. But most would be unable to name the genre; it is not as widely defined or discussed in Australia as it is in the USA and UK, where it is actively debated and anthologised. This paper goes to the heart of the genre in Australia, investigating through narrative interview why there is not more of an Australian voice in this international debate. It examines the perspectives and views of twelve of the country's most widely read, awarded and respected creative non-fiction authors, drawing them into the discussion. There appears a wide spread disinterest from those who write creative non-fiction in this country to label it as such. But a disinterest in categorisation does n...
The idea of Australia as a creative country sounds attractive. Yet identifying what such a propositi...
This study primarily examines the cultural and commercial practices of editors and publishers who co...
In order to better understand and appreciate Alexis Wright’s publishing history, it is important to ...
When a decision to interview creative non-fiction writers in a bid to begin to formalise a dialogue ...
Just over a third of Australians also read books by or about Indigenous Australians for their own in...
Ever since Tom Wolfe wrote a 13-page essay entitled “The Birth of the New Journalism: eyewitness rep...
This paper examines three anthologies of Australian literature: The Oxford Anthology of Aus...
The question of place has always been central to Australian fiction, both as a thematic element, but...
This paper deals with issues presented in Australian writing and the difficulties Australian writers...
This paper deals with issues presented in Australian writing and the difficulties Australian writers...
The article explores the divide between the national and the cosmopolitan in Australian literature, ...
This paper explores the blurred genre of travel writing and the obligation placed on the traveller t...
In recent years, Australian literature has experienced a revival of interest both domestically and i...
Within Australia, the concentration of the “field of cultural production” in Sydney and Melbourne re...
The paper argues that popular fiction has been ignored in the 'officially sanctioned' account of Aus...
The idea of Australia as a creative country sounds attractive. Yet identifying what such a propositi...
This study primarily examines the cultural and commercial practices of editors and publishers who co...
In order to better understand and appreciate Alexis Wright’s publishing history, it is important to ...
When a decision to interview creative non-fiction writers in a bid to begin to formalise a dialogue ...
Just over a third of Australians also read books by or about Indigenous Australians for their own in...
Ever since Tom Wolfe wrote a 13-page essay entitled “The Birth of the New Journalism: eyewitness rep...
This paper examines three anthologies of Australian literature: The Oxford Anthology of Aus...
The question of place has always been central to Australian fiction, both as a thematic element, but...
This paper deals with issues presented in Australian writing and the difficulties Australian writers...
This paper deals with issues presented in Australian writing and the difficulties Australian writers...
The article explores the divide between the national and the cosmopolitan in Australian literature, ...
This paper explores the blurred genre of travel writing and the obligation placed on the traveller t...
In recent years, Australian literature has experienced a revival of interest both domestically and i...
Within Australia, the concentration of the “field of cultural production” in Sydney and Melbourne re...
The paper argues that popular fiction has been ignored in the 'officially sanctioned' account of Aus...
The idea of Australia as a creative country sounds attractive. Yet identifying what such a propositi...
This study primarily examines the cultural and commercial practices of editors and publishers who co...
In order to better understand and appreciate Alexis Wright’s publishing history, it is important to ...