In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch
Questioning “Modernism and Unreadability” means exploring Modernism from the perspective of one of i...
Ambiguity is usually considered anathema in Human Computer Interaction. We argue, in contrast, that ...
textCindy Sherman’s photographic series, Untitled Film Stills, is an icon of postmodern art. The ser...
In his article Ambiguity Now Martin Harrison focuses on the pivotal place which modernist critical...
This article considers the notion of ambiguity and its treatment by critics and theorists from a per...
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been percei...
This article explores theoretical issues raised by empirical aesthetics and cognitive literary theor...
Ambiguity can be defined as the coexistence and/or coalescence of two incompatible aspects in the sa...
The article considers the tendency to admire ambiguity in literature. Where did this tendency come f...
Ambiguity is the fundamental condition of all of the narratives that constitute the oeuvre of Thomas...
Since the inception of twentieth century, the tradition of linguistic analysis acquired prominence i...
The author explores and criticises two arguments from ambiguity: S. Pinker’s argument from ambiguit...
An experiment in improvisatory critical theory, this article seeks to reconceptualise the relation i...
this paper is to argue, to the contrary, that the highly ambiguous character of natural languages is...
Ambiguity is usually considered anathema in Human Computer Interaction. We argue, in contrast, that ...
Questioning “Modernism and Unreadability” means exploring Modernism from the perspective of one of i...
Ambiguity is usually considered anathema in Human Computer Interaction. We argue, in contrast, that ...
textCindy Sherman’s photographic series, Untitled Film Stills, is an icon of postmodern art. The ser...
In his article Ambiguity Now Martin Harrison focuses on the pivotal place which modernist critical...
This article considers the notion of ambiguity and its treatment by critics and theorists from a per...
Ever since it was first published in 1930, William Empson’s Seven Types of Ambiguity has been percei...
This article explores theoretical issues raised by empirical aesthetics and cognitive literary theor...
Ambiguity can be defined as the coexistence and/or coalescence of two incompatible aspects in the sa...
The article considers the tendency to admire ambiguity in literature. Where did this tendency come f...
Ambiguity is the fundamental condition of all of the narratives that constitute the oeuvre of Thomas...
Since the inception of twentieth century, the tradition of linguistic analysis acquired prominence i...
The author explores and criticises two arguments from ambiguity: S. Pinker’s argument from ambiguit...
An experiment in improvisatory critical theory, this article seeks to reconceptualise the relation i...
this paper is to argue, to the contrary, that the highly ambiguous character of natural languages is...
Ambiguity is usually considered anathema in Human Computer Interaction. We argue, in contrast, that ...
Questioning “Modernism and Unreadability” means exploring Modernism from the perspective of one of i...
Ambiguity is usually considered anathema in Human Computer Interaction. We argue, in contrast, that ...
textCindy Sherman’s photographic series, Untitled Film Stills, is an icon of postmodern art. The ser...