The Pan's People Papers is a Transmedia project developing over three years by the artist-researcher Marisa Zanotti and the choreographer Lea Anderson. The project responds to the archive of the work of British choreographer Flick Colby and the 1970s dance group Pan's People (1968-1976). The project comprises 'papers' in different forms including live interactive online work on Facebook and Twitter (Paper 1: A Legion of Echoes: Sept 2015), filmed 'reconstructions' of archival dances, academic presentations and written documents, and an online archive of the project currently in development. This presentation will explore issues arising from A Legion of Echoes pertinent to the symposium these include: Artistic strategies developed in the ...
Over the past year I, along with my technologically minded colleagues, created an industry collabora...
Excavating the Archive focuses on the documentation of live art through interviews with artists and ...
This website documents research undertaken by Ashworth to explore ways in which documentary film cou...
The Pan's People Papers is a Transmedia project developing over three years by the artist-researcher...
The Pan’s People Papers was created with choreographer Lea Anderson in 2015 and responded to the arc...
This website presents research from The Pan’s People Papers, a project by Marisa Zanotti and Lea And...
Coming Out of Chaos: A Vancouver Dance Story (COoC) is a multi-year, oral history and archival resea...
When popular dances are ‘captured’ in mediated forms (texts, artworks, films, digital files), they g...
The presentation considers the impact of commercial photographic conventions being applied to the re...
This paper contextualises the framework and methodology for producing the video performance Ballet, ...
This paper will discuss re-enactment as a relevant tool for practice-based research to investigate p...
This thesis project is comprised of a written paper and a choreographic work. The choreographic work...
Co-authored and compiled with Debbi Lander. As co-founder and artistic director for shinkansen, I h...
Ballet is an ephemeral and experiential performing art whose choreographed works change constantly t...
‘displaced/displayed’ draws on the legacy of Viennese choreographer Gertrud Bodenwieser (Vienna 189...
Over the past year I, along with my technologically minded colleagues, created an industry collabora...
Excavating the Archive focuses on the documentation of live art through interviews with artists and ...
This website documents research undertaken by Ashworth to explore ways in which documentary film cou...
The Pan's People Papers is a Transmedia project developing over three years by the artist-researcher...
The Pan’s People Papers was created with choreographer Lea Anderson in 2015 and responded to the arc...
This website presents research from The Pan’s People Papers, a project by Marisa Zanotti and Lea And...
Coming Out of Chaos: A Vancouver Dance Story (COoC) is a multi-year, oral history and archival resea...
When popular dances are ‘captured’ in mediated forms (texts, artworks, films, digital files), they g...
The presentation considers the impact of commercial photographic conventions being applied to the re...
This paper contextualises the framework and methodology for producing the video performance Ballet, ...
This paper will discuss re-enactment as a relevant tool for practice-based research to investigate p...
This thesis project is comprised of a written paper and a choreographic work. The choreographic work...
Co-authored and compiled with Debbi Lander. As co-founder and artistic director for shinkansen, I h...
Ballet is an ephemeral and experiential performing art whose choreographed works change constantly t...
‘displaced/displayed’ draws on the legacy of Viennese choreographer Gertrud Bodenwieser (Vienna 189...
Over the past year I, along with my technologically minded colleagues, created an industry collabora...
Excavating the Archive focuses on the documentation of live art through interviews with artists and ...
This website documents research undertaken by Ashworth to explore ways in which documentary film cou...