Add to ORKGA presentation given at the This Body of Work conference 2015, hosted by the University of Chichester Dance Dept. The presentation discusses a working interpretation on the relationships between Nihon-buyo (Japanese traditional dance) training, embodied cognition, the idea of Flow (Mihaly Csikszentmihalyi) and the neurophenomenology of the self
When experienced dancers watch other dancers perform, they perceive the movement in a quantifiably d...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
Bläsing B. Dance in the body, the mind and the brain: neurocognitive research inspired by dancers an...
A presentation given at the This Body of Work conference 2015, hosted by the University of Chicheste...
Human has a formidable ability that can control his/her own body to perform numerous numbers of skil...
This paper presents an ongoing research project which uses an interdisciplinary methodology to explo...
Dance consists of a dancer’s sensory experience as well as her/his inner experience. On the ot...
This presentation is be a theory-based semi-workshop exploring “meditative dance” and the ‘flow’ sta...
Thinking and learning are not activities isolated in the brain; they are embodied experiences. The m...
Dance is a rich source of material for researchers interested in the integration of movement and cog...
In the creation, performance and appreciation of contemporary dance we find a microcosm of cognition...
The poster and presentation describe existing neuroscientific theories on how a meditative Flow stat...
As a phenomenological investigation this thesis is grounded in the primal reality of the body in mot...
Reflective of human socialisation and non-verbal communication, dance affords insights into the unde...
This project presents an interpretation of what a 'human installation' could be, and a theoretical f...
When experienced dancers watch other dancers perform, they perceive the movement in a quantifiably d...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
Bläsing B. Dance in the body, the mind and the brain: neurocognitive research inspired by dancers an...
A presentation given at the This Body of Work conference 2015, hosted by the University of Chicheste...
Human has a formidable ability that can control his/her own body to perform numerous numbers of skil...
This paper presents an ongoing research project which uses an interdisciplinary methodology to explo...
Dance consists of a dancer’s sensory experience as well as her/his inner experience. On the ot...
This presentation is be a theory-based semi-workshop exploring “meditative dance” and the ‘flow’ sta...
Thinking and learning are not activities isolated in the brain; they are embodied experiences. The m...
Dance is a rich source of material for researchers interested in the integration of movement and cog...
In the creation, performance and appreciation of contemporary dance we find a microcosm of cognition...
The poster and presentation describe existing neuroscientific theories on how a meditative Flow stat...
As a phenomenological investigation this thesis is grounded in the primal reality of the body in mot...
Reflective of human socialisation and non-verbal communication, dance affords insights into the unde...
This project presents an interpretation of what a 'human installation' could be, and a theoretical f...
When experienced dancers watch other dancers perform, they perceive the movement in a quantifiably d...
Philosophers of art draw a distinction between two broad sets of concerns: questions about aesthetic...
Bläsing B. Dance in the body, the mind and the brain: neurocognitive research inspired by dancers an...