Add to ORKGThe article reviews the art exhibition "Life and Still Life," which featured various works by the contemporary potter and ceramic artist Alison Britton, held at the Crafts Study Centre located in Farnham, Surrey, England, from October 16th through December 15, 2012
This issue's featured article: The lasting world : Simon Dinnerstein and The Fulbright Triptych, Jul...
Feature article on the Judith Leighton Gallery in Blue Hill. The recent show at the gallery feature...
The article reviews the exhibition "Quotidian" featuring the works of ceramist Julian Stair at Corvi...
This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the...
The article reviews the exhibition "Insights into Beauty" at the Embassy of Japan in London, England...
National audienceEco-art in Britain: Environmental Consciousness and the Sustainability of Contempor...
Review of book by potter and writer Alison Britton published by Occasional Papers, 2013. ISBN: 97809...
The exhibition contained works owned by the museum, dating from 1977 to 2012, now numbering 19 since...
A review in The Burlington Magazine, May 2016, of the first substantial UK exhibition of the work of...
The output is a curated exhibition, co-curated by Dr Dawn Woolley and Dr Katie Herrington. It compri...
One of three new commissions for Leigh Woods shown alongside selected works from the Arts Council Co...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Article on the biannual exhibit of contemporary Portland landscapes, which is being presented at Gre...
This article was a review of my exhibition 'Torn Gestures' in Norwich. It was part of a larger revi...
(Not So) Still Life presents novel ways that contemporary artists are transforming the still life ge...
This issue's featured article: The lasting world : Simon Dinnerstein and The Fulbright Triptych, Jul...
Feature article on the Judith Leighton Gallery in Blue Hill. The recent show at the gallery feature...
The article reviews the exhibition "Quotidian" featuring the works of ceramist Julian Stair at Corvi...
This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the...
The article reviews the exhibition "Insights into Beauty" at the Embassy of Japan in London, England...
National audienceEco-art in Britain: Environmental Consciousness and the Sustainability of Contempor...
Review of book by potter and writer Alison Britton published by Occasional Papers, 2013. ISBN: 97809...
The exhibition contained works owned by the museum, dating from 1977 to 2012, now numbering 19 since...
A review in The Burlington Magazine, May 2016, of the first substantial UK exhibition of the work of...
The output is a curated exhibition, co-curated by Dr Dawn Woolley and Dr Katie Herrington. It compri...
One of three new commissions for Leigh Woods shown alongside selected works from the Arts Council Co...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Article on the biannual exhibit of contemporary Portland landscapes, which is being presented at Gre...
This article was a review of my exhibition 'Torn Gestures' in Norwich. It was part of a larger revi...
(Not So) Still Life presents novel ways that contemporary artists are transforming the still life ge...
This issue's featured article: The lasting world : Simon Dinnerstein and The Fulbright Triptych, Jul...
Feature article on the Judith Leighton Gallery in Blue Hill. The recent show at the gallery feature...
The article reviews the exhibition "Quotidian" featuring the works of ceramist Julian Stair at Corvi...