Appendix 1 and 2 have been published and permissions have been granted by University of Hawai'i Press.This research centres on the Balinese performance tradition known as topeng which translates as Balinese masked dance-drama. In Bali this genre is performed traditionally in spaces reserved for religious ceremonies. The research questions the extent to which, and how, it may be possible for a non-Balinese person to embody a culturally coded, sacred object (the mask) and how a woman is able to make meaning and express herself within a genre which is traditionally the preserve of men. The research has therefore sought to develop an individual and intercultural approach to both the design of new masks and their performance. The thesis crit...
Cultural performances are more than forms of entertainment and vehicles for conveying social and rel...
Leather puppet performance in Bali considerably so classical, either the figure of wayang (puppet) o...
This article explores some initial challenges for a western ethnographer learning Balinese performan...
This thesis explores the process of mask characterisation in Bali as expressed in performances and i...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
In this article I share my journey towards the incorporation of the balinese mask based on my inters...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
The Balinese wayang kulit, the author informs her readers, is both social event and sacred ritual. J...
This thesis is an ethnography of Balinese individuals living in the Netherlands and their non-Balin...
Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a comple...
In the bewildering variety of masks and mask cultures to be found in both maritime and mainland Sout...
Le témoignage de quelques artistes balinais et non balinais est le point de départ de cette recherch...
This thesis is based on ethnographic fieldwork of practicing and performing dances with Indonesian m...
This paper explores notions of hybridity within an intercultural large-scale show in Bali, including...
Cultural performances are more than forms of entertainment and vehicles for conveying social and rel...
Leather puppet performance in Bali considerably so classical, either the figure of wayang (puppet) o...
This article explores some initial challenges for a western ethnographer learning Balinese performan...
This thesis explores the process of mask characterisation in Bali as expressed in performances and i...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
In this article I share my journey towards the incorporation of the balinese mask based on my inters...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
This article charts the increasing involvement of women performers in Balinese topeng (mask dance) a...
The Balinese wayang kulit, the author informs her readers, is both social event and sacred ritual. J...
This thesis is an ethnography of Balinese individuals living in the Netherlands and their non-Balin...
Studying the performing art of wayang golek in the late 1970s requiredlearning how to learn a comple...
In the bewildering variety of masks and mask cultures to be found in both maritime and mainland Sout...
Le témoignage de quelques artistes balinais et non balinais est le point de départ de cette recherch...
This thesis is based on ethnographic fieldwork of practicing and performing dances with Indonesian m...
This paper explores notions of hybridity within an intercultural large-scale show in Bali, including...
Cultural performances are more than forms of entertainment and vehicles for conveying social and rel...
Leather puppet performance in Bali considerably so classical, either the figure of wayang (puppet) o...
This article explores some initial challenges for a western ethnographer learning Balinese performan...