'Ghosts of the Restless Shore: Space, Place and Memory' was an exhibition of new contemporary art by four artists (Tim Collier, Jake Campbell, Rob Strachan and myself) integrating visual, aural, historical and oral/written/textual experiences of the natural/social history of the Sefton Coast. The artists walked the Sefton Coastal Footpath together in the summer of 2014 and the work in the show is based around experiences of that walk as well as a sustained period of research in 2014/15 undertaken by the artists into the social and natural history of the coast. All the work in the exhibition examined, in one form or another, the way we (as culturally and socially informed people) interact with the natural environment, not just in terms of th...
The wartime batteries, pill boxes and tank traps which hug our coastal landscapes and patrol our riv...
This exhibition is a visual investigation into ‘place’ in North Queensland. To focus investigations,...
Lesions in the Landscape by Danish-Scottish artist Shona Illingworth examines the complex individual...
The Haunted Landscapes Symposium was organised as a literary event by staff from the writing course ...
In this essay, I examine elements of my practice that might be described as pilgrimages, explored th...
In this article we discuss our creative research on and with a contested coastal community on one of...
The underpinning enquiry for this series of paintings, primarily presented in two solo exhibitions (...
The underpinning enquiry for this series of paintings, primarily presented in two solo exhibitions (...
The underpinning enquiry for this series of paintings, primarily presented in two solo exhibitions (...
This body of artwork takes Edward Casey’s philosophical formulation of a landscapes ‘subtle edge’ an...
This body of artwork takes Edward Casey’s philosophical formulation of a landscapes ‘subtle edge’ an...
This body of artwork takes Edward Casey’s philosophical formulation of a landscapes ‘subtle edge’ an...
Keynote Speaker: Professor Ronald Hutton (Bristol University) On March 8th 2014 Falmouth University...
During the summer of 2004, the artist Graham Lowe and I undertook a research project entitled Nurtur...
What happens if we allow a site to speak for itself? TIDE was the final outcome of a practice led ...
The wartime batteries, pill boxes and tank traps which hug our coastal landscapes and patrol our riv...
This exhibition is a visual investigation into ‘place’ in North Queensland. To focus investigations,...
Lesions in the Landscape by Danish-Scottish artist Shona Illingworth examines the complex individual...
The Haunted Landscapes Symposium was organised as a literary event by staff from the writing course ...
In this essay, I examine elements of my practice that might be described as pilgrimages, explored th...
In this article we discuss our creative research on and with a contested coastal community on one of...
The underpinning enquiry for this series of paintings, primarily presented in two solo exhibitions (...
The underpinning enquiry for this series of paintings, primarily presented in two solo exhibitions (...
The underpinning enquiry for this series of paintings, primarily presented in two solo exhibitions (...
This body of artwork takes Edward Casey’s philosophical formulation of a landscapes ‘subtle edge’ an...
This body of artwork takes Edward Casey’s philosophical formulation of a landscapes ‘subtle edge’ an...
This body of artwork takes Edward Casey’s philosophical formulation of a landscapes ‘subtle edge’ an...
Keynote Speaker: Professor Ronald Hutton (Bristol University) On March 8th 2014 Falmouth University...
During the summer of 2004, the artist Graham Lowe and I undertook a research project entitled Nurtur...
What happens if we allow a site to speak for itself? TIDE was the final outcome of a practice led ...
The wartime batteries, pill boxes and tank traps which hug our coastal landscapes and patrol our riv...
This exhibition is a visual investigation into ‘place’ in North Queensland. To focus investigations,...
Lesions in the Landscape by Danish-Scottish artist Shona Illingworth examines the complex individual...