This on-line article 'Challenge to Fascism: Glasgow's May Day' (1938) is about Helen Biggar's (1909- 1953) final film. The article gives a full synopsis of the film and looks at Biggar's upbringing to explain why she was one of the few early women filmmakers in Scotland to be making films with an overtly political message. The article was published on May Day 2016
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
The 1938 British Empire Exhibition held in Glasgow was the last of its kind, a spectacular event tha...
Social Movements often incorporate masculinity into protest events as a means of achieving media att...
This article examines the significance of the 1938 Empire Exhibition in defining relations between G...
This article examines the significance of the 1938 Empire Exhibition in defining relations between G...
This article charts commercial cinema’s role in promoting the war effort in Scotland during th...
During the Fascist era in Italy, the state-controlled L’Unione Cinematografica Educativa produced ne...
Marketing films about European fascism and war to American audiences posed a dilemma for studios dur...
This thesis investigates the development of the audience for early cinema in Glasgow. It takes a soc...
© 2016 Informa UK Limited, trading as Taylor & Francis Group. At its peak in the mid-1930s, the so...
© 2016 Informa UK Limited, trading as Taylor & Francis Group. At its peak in the mid-1930s, the so...
During the Fascist era in Italy, the state-controlled L’Unione Cinematografica Educativa produced ne...
© 2016 Informa UK Limited, trading as Taylor & Francis Group. At its peak in the mid-1930s, the so...
International audienceThis paper presents the case of the resistance to dilution in workshops in and...
2014 marked the centenary of the birth of internationally renowned experimental filmmaker Norman McL...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
The 1938 British Empire Exhibition held in Glasgow was the last of its kind, a spectacular event tha...
Social Movements often incorporate masculinity into protest events as a means of achieving media att...
This article examines the significance of the 1938 Empire Exhibition in defining relations between G...
This article examines the significance of the 1938 Empire Exhibition in defining relations between G...
This article charts commercial cinema’s role in promoting the war effort in Scotland during th...
During the Fascist era in Italy, the state-controlled L’Unione Cinematografica Educativa produced ne...
Marketing films about European fascism and war to American audiences posed a dilemma for studios dur...
This thesis investigates the development of the audience for early cinema in Glasgow. It takes a soc...
© 2016 Informa UK Limited, trading as Taylor & Francis Group. At its peak in the mid-1930s, the so...
© 2016 Informa UK Limited, trading as Taylor & Francis Group. At its peak in the mid-1930s, the so...
During the Fascist era in Italy, the state-controlled L’Unione Cinematografica Educativa produced ne...
© 2016 Informa UK Limited, trading as Taylor & Francis Group. At its peak in the mid-1930s, the so...
International audienceThis paper presents the case of the resistance to dilution in workshops in and...
2014 marked the centenary of the birth of internationally renowned experimental filmmaker Norman McL...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
The 1938 British Empire Exhibition held in Glasgow was the last of its kind, a spectacular event tha...
Social Movements often incorporate masculinity into protest events as a means of achieving media att...