Family Ties Network: Subject Missing is the first Family Ties Network (FTN) event to be hosted at the Glasgow School of Art. It asks how can lens-based practices investigate physical absences of parental/maternal figures and move beyond current representations of the missing or the lost within the ‘family’? Guest speakers are invited to bring both personal, autobiographical experiences and distinct methodological approaches demonstrated in their recent work to help discuss this question. The event includes an opportunity for GSA students to show portfolios of work that also explore the theme of 'subject missing' within the family. I presented a paper on the reconstruction of the Family Album What happens of one is to reconstruct a fam...
This exegesis visually explores the changing identity of the dispersed family from post war Australi...
The City has Changed Them: Storytelling, Memory, and the Family Photo Album is an interdisciplinary ...
The family photograph represents the past in a restrictively visual, static manner. Despite this, th...
'Family Ties: Subject Missing', Friday 20th November 2015 The presentation deals with considering...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
This Research Study Day Event asked how can lens-based practices investigate physical absences of pa...
The exhibition features works by 7 FTN co-ordinators alongside photographs and books by 19 artists, ...
A divorced Long Island couple decided to share custody of their kids, but they ran into a diagreemen...
The family album has been described as the visual narrative of family history. Whether as a narrat...
Following the passing away of my father, this paper investigates how memory is found and reimagined ...
The family album has been described as the visual narrative of family history. Whether as a narrat...
How might we read memory in relation to the family, and how might we enact these memories in visual ...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
This exegesis visually explores the changing identity of the dispersed family from post war Australi...
This exegesis visually explores the changing identity of the dispersed family from post war Australi...
The City has Changed Them: Storytelling, Memory, and the Family Photo Album is an interdisciplinary ...
The family photograph represents the past in a restrictively visual, static manner. Despite this, th...
'Family Ties: Subject Missing', Friday 20th November 2015 The presentation deals with considering...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
This Research Study Day Event asked how can lens-based practices investigate physical absences of pa...
The exhibition features works by 7 FTN co-ordinators alongside photographs and books by 19 artists, ...
A divorced Long Island couple decided to share custody of their kids, but they ran into a diagreemen...
The family album has been described as the visual narrative of family history. Whether as a narrat...
Following the passing away of my father, this paper investigates how memory is found and reimagined ...
The family album has been described as the visual narrative of family history. Whether as a narrat...
How might we read memory in relation to the family, and how might we enact these memories in visual ...
Book synopsis: Whether pasted into an album, framed or shared on social media, the family photograph...
This exegesis visually explores the changing identity of the dispersed family from post war Australi...
This exegesis visually explores the changing identity of the dispersed family from post war Australi...
The City has Changed Them: Storytelling, Memory, and the Family Photo Album is an interdisciplinary ...
The family photograph represents the past in a restrictively visual, static manner. Despite this, th...