A stop motion animation video made in collaboration with John Beagles. Black and white, 10:55mins duration, 2013. We have an abiding interest in the allegorical and critical potential of playing with habitual ideas central to the mythology of art. This includes notions such as authenticity, originality, political agency, the sketchbook as locus of creativity and the studio as site of alienated production. This was explored in earlier works such as ‘Dub’l introoder’ (Transmission, Glasgow 2001) where we presented an installation-fiction of our studio, and also in ‘Unrealised Dreams’ (Venice Biennale 2003) where ‘failed’ projects and satirical sketchbook ‘fantasies’ became the subject of the work. Such ideas were picked up in a different w...
AbstractIn my experience in digital practice, the ‘artist animation’ is fundamentally related to pho...
Animation ordinarily begins with fabrication whether using models, drawings or cell painting. The mo...
This thesis support paper is the trajectory of my search to uncover what constitutes an aesthetic fo...
This joint exhibition of ten artists from the University of Lincoln was curated by Clare Charnley an...
Four painted works in the exhibition "Pebbles and avalanches" This joint exhibition of ten artists ...
This thesis examines stop motion animation, its role as a special effect and how the stop motion for...
This joint exhibition of twelve artists was curated by Clare Charnley and used artworks to draw atte...
Stop-motion animation has been a part of the great pantheon of filmmaking since its birth in the ear...
Through a combination of animation, comics, and book art, I preserve and reclaim a unique practice o...
This thesis seeks to demonstrate that the uncanny and stop motion animation enjoy a special relation...
In this interactive 360° film installation the user becomes a ghost-like viewer – immersed in a seri...
Films, and perhaps especially animated films, are ways of thinking. In their own ways, and beyond an...
Our world is literally and figuratively turning to ‘dust’. This work acknowledges decay and renewal ...
‘Channel 14’ is a video work continuing my collaboration with David Bickerstaff. This video is co-au...
The focus of this investigation is in the realm of animation that straddles the ever-shrinking gulf ...
AbstractIn my experience in digital practice, the ‘artist animation’ is fundamentally related to pho...
Animation ordinarily begins with fabrication whether using models, drawings or cell painting. The mo...
This thesis support paper is the trajectory of my search to uncover what constitutes an aesthetic fo...
This joint exhibition of ten artists from the University of Lincoln was curated by Clare Charnley an...
Four painted works in the exhibition "Pebbles and avalanches" This joint exhibition of ten artists ...
This thesis examines stop motion animation, its role as a special effect and how the stop motion for...
This joint exhibition of twelve artists was curated by Clare Charnley and used artworks to draw atte...
Stop-motion animation has been a part of the great pantheon of filmmaking since its birth in the ear...
Through a combination of animation, comics, and book art, I preserve and reclaim a unique practice o...
This thesis seeks to demonstrate that the uncanny and stop motion animation enjoy a special relation...
In this interactive 360° film installation the user becomes a ghost-like viewer – immersed in a seri...
Films, and perhaps especially animated films, are ways of thinking. In their own ways, and beyond an...
Our world is literally and figuratively turning to ‘dust’. This work acknowledges decay and renewal ...
‘Channel 14’ is a video work continuing my collaboration with David Bickerstaff. This video is co-au...
The focus of this investigation is in the realm of animation that straddles the ever-shrinking gulf ...
AbstractIn my experience in digital practice, the ‘artist animation’ is fundamentally related to pho...
Animation ordinarily begins with fabrication whether using models, drawings or cell painting. The mo...
This thesis support paper is the trajectory of my search to uncover what constitutes an aesthetic fo...