Add to ORKGThis essay surveys the manuscript circulation of Shakespeare's handwritten manuscripts in his time and afterwards, looking particularly at his holograph portion of the play Sir Thomas More, and the scribal copying of his plays and poems
"... Strictly limited to seventy-five copies; namely, fifty copies on ordinary paper, and twenty-fiv...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Positioning Shakespeare at the "crossroads of manuscript and print" and exploring what the choice of...
With facsimiles of six signatures of Shakespeare, and three pages of the manuscript of Sir Thomas Mo...
The essay is devoted to an analysis of the contributions gathered in this issue of <em>JEMS</em>. It...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
textIn its introduction and four chapters, this project demonstrates that Shakespeare responded to—a...
The bulk of the play is now ascribed to Anthony Munday. Of the additions three pages (p. 8-9) may be...
This thesis presents a series of studies in early modern manuscript culture based on Chetham's Libra...
Anthologizing Shakespeare, 1593–1603 is a reading of Shakespeare’s first decade in print, from Venus...
This thesis presents a series of studies in early modern manuscript culture based on Chetham’s Libra...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
International audienceShakespeare’s early modern readers—those who annotated his first printed works...
In a recent BBC documentary recounting the theft of Shakespeare’s First Folio, the art-thief, Raymon...
This essay provides a case study of an otherwise-unknown clerical library from the 1640s that includ...
"... Strictly limited to seventy-five copies; namely, fifty copies on ordinary paper, and twenty-fiv...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Positioning Shakespeare at the "crossroads of manuscript and print" and exploring what the choice of...
With facsimiles of six signatures of Shakespeare, and three pages of the manuscript of Sir Thomas Mo...
The essay is devoted to an analysis of the contributions gathered in this issue of <em>JEMS</em>. It...
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Sha...
textIn its introduction and four chapters, this project demonstrates that Shakespeare responded to—a...
The bulk of the play is now ascribed to Anthony Munday. Of the additions three pages (p. 8-9) may be...
This thesis presents a series of studies in early modern manuscript culture based on Chetham's Libra...
Anthologizing Shakespeare, 1593–1603 is a reading of Shakespeare’s first decade in print, from Venus...
This thesis presents a series of studies in early modern manuscript culture based on Chetham’s Libra...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
International audienceShakespeare’s early modern readers—those who annotated his first printed works...
In a recent BBC documentary recounting the theft of Shakespeare’s First Folio, the art-thief, Raymon...
This essay provides a case study of an otherwise-unknown clerical library from the 1640s that includ...
"... Strictly limited to seventy-five copies; namely, fifty copies on ordinary paper, and twenty-fiv...
In 1709, Jacob Tonson, the premier publisher of his age, purchased the “copyright” to Shakespeare. T...
Positioning Shakespeare at the "crossroads of manuscript and print" and exploring what the choice of...