Add to ORKGThis work uses a set of parameters to enable the 'robots' to draw within a space and timeframe. A series of experiments culminated in an artists book that documents the development process
In 2007 I created The Smoking Suffragettes, a performance inspired by a publicity stunt intended to ...
This chapter reports on a joint research project that investigates whether the making of drawn anima...
Curtis, who teaches on UCA Rochester's FE programmes, was commissioned to make the drawings on locat...
This work uses a set of parameters to enable the 'robots' to draw within a space and timeframe. A se...
Invited to lead a two day workshop ‘Poetry and Movement’ project for Film and Animation BA and MA st...
A vocal improvisation with guitar, where the vocie and guitar respond to one another
The sculpture looks like a long wooden hut on thin legs, with small openings along the side and roof...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...
Exhibition curated by Jim Walker celebrating the work of Bob Godfrey, a pivotal figure in British an...
Although the technologies used in contemporary expanded animation are digital, this kind of work bui...
Two performances on consecutive nights that evolved from improvisational workshops at Queen Mary Uni...
Scouring, scrubbing, sweeping, bleaching, rinsing, brushing away – all of these words refer to diffe...
Performance of Light Dial 3 with Collectress. Part of collaboration with Rambert Dance Company and c...
In 2007 I created The Smoking Suffragettes, a performance inspired by a publicity stunt intended to ...
This chapter reports on a joint research project that investigates whether the making of drawn anima...
Curtis, who teaches on UCA Rochester's FE programmes, was commissioned to make the drawings on locat...
This work uses a set of parameters to enable the 'robots' to draw within a space and timeframe. A se...
Invited to lead a two day workshop ‘Poetry and Movement’ project for Film and Animation BA and MA st...
A vocal improvisation with guitar, where the vocie and guitar respond to one another
The sculpture looks like a long wooden hut on thin legs, with small openings along the side and roof...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
Generative soundscape presented by Didymus Sound System. Audio exploration of wave forms using gene...
In a period of ever increasing modes of capturing, documenting, commenting on contemporary life, soc...
Exhibition curated by Jim Walker celebrating the work of Bob Godfrey, a pivotal figure in British an...
Although the technologies used in contemporary expanded animation are digital, this kind of work bui...
Two performances on consecutive nights that evolved from improvisational workshops at Queen Mary Uni...
Scouring, scrubbing, sweeping, bleaching, rinsing, brushing away – all of these words refer to diffe...
Performance of Light Dial 3 with Collectress. Part of collaboration with Rambert Dance Company and c...
In 2007 I created The Smoking Suffragettes, a performance inspired by a publicity stunt intended to ...
This chapter reports on a joint research project that investigates whether the making of drawn anima...
Curtis, who teaches on UCA Rochester's FE programmes, was commissioned to make the drawings on locat...