Add to ORKGReview of Hoch's show at the Whitechapel Gallery, analysing her shift frim communist inflected iconography to proto-feminist image-making and to her lyrical-animistic abstractions that pre-image practices of mood-modulation in culture today. A key question; what relevance is montage today
What if exhibitions weren't primarily addressed to humans? Animistic Apparatus @ Berwick Film and M...
'The Chatter of the Visible' examines the paradoxical narrative features of the photo montage aesthe...
Hannah Hoch, a Berlin Dadaist who produced art from 1919 to the late 1960s, often showed women in st...
Review of Hoch's show at the Whitechapel Gallery, analysing her shift frim communist inflected icono...
A review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best ...
Between the years 1924-1934, Berlin dada artist Hannah Höch (1889-1978) created the collage series F...
Hannah Höch is one of the most fascinating figures of Weimar Berlin, not only as an avant-garde arti...
CUTTING WITH DADA KITCHEN KNIFE THE LAST WEIMAR AND THE CULTURAL ERA IN GERMANY FATTENED WITH BEER I...
Ethnological museums are not only where objects from primitive societies are exhibited, but also cre...
The Ilmin Museum of Art (Director, Kim Taeryeong) will be hosting Animism, an exhibition that brings...
By way of introduction to a book which was born from an international conference at Palazzo Grassi, ...
Patrizia McBride's study, The Chatter of the Visible, examines the paradoxical narrative features of...
Montage, today, is a widespread procedure that doesn\u92t concern just artistic production, but also...
CUTTING WITH DADA KITCHEN KNIFE THE LAST WEIMAR AND THE CULTURAL ERA IN GERMANY FATTENED WITH...
This thesis is an analytical study of the various critical approaches taken to the work of Eva Hesse...
What if exhibitions weren't primarily addressed to humans? Animistic Apparatus @ Berwick Film and M...
'The Chatter of the Visible' examines the paradoxical narrative features of the photo montage aesthe...
Hannah Hoch, a Berlin Dadaist who produced art from 1919 to the late 1960s, often showed women in st...
Review of Hoch's show at the Whitechapel Gallery, analysing her shift frim communist inflected icono...
A review of the Hannah Hoch retrospective exhibition at the Whitechapel Gallery, London 2014. Best ...
Between the years 1924-1934, Berlin dada artist Hannah Höch (1889-1978) created the collage series F...
Hannah Höch is one of the most fascinating figures of Weimar Berlin, not only as an avant-garde arti...
CUTTING WITH DADA KITCHEN KNIFE THE LAST WEIMAR AND THE CULTURAL ERA IN GERMANY FATTENED WITH BEER I...
Ethnological museums are not only where objects from primitive societies are exhibited, but also cre...
The Ilmin Museum of Art (Director, Kim Taeryeong) will be hosting Animism, an exhibition that brings...
By way of introduction to a book which was born from an international conference at Palazzo Grassi, ...
Patrizia McBride's study, The Chatter of the Visible, examines the paradoxical narrative features of...
Montage, today, is a widespread procedure that doesn\u92t concern just artistic production, but also...
CUTTING WITH DADA KITCHEN KNIFE THE LAST WEIMAR AND THE CULTURAL ERA IN GERMANY FATTENED WITH...
This thesis is an analytical study of the various critical approaches taken to the work of Eva Hesse...
What if exhibitions weren't primarily addressed to humans? Animistic Apparatus @ Berwick Film and M...
'The Chatter of the Visible' examines the paradoxical narrative features of the photo montage aesthe...
Hannah Hoch, a Berlin Dadaist who produced art from 1919 to the late 1960s, often showed women in st...