Book synopsis: Australia’s Impressionists focuses on the paintings of Tom Roberts (1856–1931), Arthur Streeton (1867–1943), Charles Conder (1868–1909) and John Russell (1858–1930). All were key players in a distinctly Australian art movement which drew on influences ranging from Whistler’s subtle Nocturnes to the European tradition of plein-air painting. Roberts, Conder and Streeton championed a new epic Australian landscape style. Their colleague Russell lived in France for most of his life, and his art reveals affinities with his friends Vincent van Gogh and Claude Monet, but he is distinguished foremost by his abilities as a colourist, which in turn had a transformative influence on a young Henri Matisse. This beautiful book challe...
Provides an overview of the major developments in Australian art, from its origins to the present. T...
During the half-century from the 1890s to the 1940s, the theme of the 'bush' emerged as a formative ...
Richard White wrote Inventing Australia: Images and Identity, 1688-1980 in 1981. In his book, he exa...
Impressionism was embraced in Australia from the mid-1880s onwards, and was pivotal in forging a sha...
Australia’s unique take on Impressionism is represented by four major artists: Tom Roberts, Charles ...
Many Australian artists returning from a prolonged stay overseas will be familiar with the crippling...
Book synopsis: Perhaps the most prolific artist of the nineteenth century, Sir John Gilbert (1817-97...
Since European Australians settled in their new country, nature and landscapes have been the subject...
© 2001 Dr. Francis EburyPictorialism was the dominant international photographic style from the 1890...
A speech given to an art fair in Berlin in 2003 outlining a possible non-national history of Austral...
Studying the reactions and results of introducing French Impressionism into British culture reveals ...
Australian exhibits at international exhibitions from the early to the mid-twentieth century demonst...
The basis for this investigation is an archive of several thousand images, mostly reproduced in the ...
Expatriatism has become a fact of life for many Australian artists in the twenty-first century. For...
The media release for Australia, the 2013 exhibition at the Royal Academy, proudly proclaimed that i...
Provides an overview of the major developments in Australian art, from its origins to the present. T...
During the half-century from the 1890s to the 1940s, the theme of the 'bush' emerged as a formative ...
Richard White wrote Inventing Australia: Images and Identity, 1688-1980 in 1981. In his book, he exa...
Impressionism was embraced in Australia from the mid-1880s onwards, and was pivotal in forging a sha...
Australia’s unique take on Impressionism is represented by four major artists: Tom Roberts, Charles ...
Many Australian artists returning from a prolonged stay overseas will be familiar with the crippling...
Book synopsis: Perhaps the most prolific artist of the nineteenth century, Sir John Gilbert (1817-97...
Since European Australians settled in their new country, nature and landscapes have been the subject...
© 2001 Dr. Francis EburyPictorialism was the dominant international photographic style from the 1890...
A speech given to an art fair in Berlin in 2003 outlining a possible non-national history of Austral...
Studying the reactions and results of introducing French Impressionism into British culture reveals ...
Australian exhibits at international exhibitions from the early to the mid-twentieth century demonst...
The basis for this investigation is an archive of several thousand images, mostly reproduced in the ...
Expatriatism has become a fact of life for many Australian artists in the twenty-first century. For...
The media release for Australia, the 2013 exhibition at the Royal Academy, proudly proclaimed that i...
Provides an overview of the major developments in Australian art, from its origins to the present. T...
During the half-century from the 1890s to the 1940s, the theme of the 'bush' emerged as a formative ...
Richard White wrote Inventing Australia: Images and Identity, 1688-1980 in 1981. In his book, he exa...