My paper reviews the evidence for, and the reasons why science exhibit design evidently fails to convey cognitive knowledge through affective display. Evidence is drawn on pilot interviews with curators, designers and visitors at science exhibits in Berlin and Edinburgh –work undertaken by Jennifer Apel in preparation for research registration for joint supervision at Napier/Humbolt Universities. The paper subjects this research to a ‘critical realist’ interpretation (as a philosophy of science extended to social and cultural phenomena) to present an argument for understanding the development and limitations of representation through design
The article investigates how the use of extended reality technologies and interactive digital interf...
The Science, identity and belonging (SIB) research project aims at shedding light on codesign proces...
Science-art collaborations are a growth area. An example is the Wellcome Collection exhibition “Stat...
My paper reviews the evidence for, and the reasons why science exhibit design evidently fails to con...
Within the science and technology centre (STC) movement there exists explicit aims and ambitions to ...
Science centres aim to present science in ways that will attract visitors and enhance public interes...
Thesis (Master's)--University of Washington, 2012Science museum exhibits have the potential to posit...
I curated the Beyond Perception symposium exhibition held at SRUC in 2015. The Beyond Perception...
Research pertaining to science museum exhibit design tends to be articulated at a level of generalit...
The exhibition is increasingly being reframed as a ‘research output’, but what can new forms of rese...
The importance of a general public being informed about science and technology has never been greate...
Science centres aim to present science in ways that will attract visitors and enhance public interes...
A vast array of transformations have inundated the scientific exhibition world in the past fifty yea...
Science interpretation in museums has, until now, largely focused on the products of science-the kch...
This study presents semiotics semantics theory as a possible standard for exploring the interrelatio...
The article investigates how the use of extended reality technologies and interactive digital interf...
The Science, identity and belonging (SIB) research project aims at shedding light on codesign proces...
Science-art collaborations are a growth area. An example is the Wellcome Collection exhibition “Stat...
My paper reviews the evidence for, and the reasons why science exhibit design evidently fails to con...
Within the science and technology centre (STC) movement there exists explicit aims and ambitions to ...
Science centres aim to present science in ways that will attract visitors and enhance public interes...
Thesis (Master's)--University of Washington, 2012Science museum exhibits have the potential to posit...
I curated the Beyond Perception symposium exhibition held at SRUC in 2015. The Beyond Perception...
Research pertaining to science museum exhibit design tends to be articulated at a level of generalit...
The exhibition is increasingly being reframed as a ‘research output’, but what can new forms of rese...
The importance of a general public being informed about science and technology has never been greate...
Science centres aim to present science in ways that will attract visitors and enhance public interes...
A vast array of transformations have inundated the scientific exhibition world in the past fifty yea...
Science interpretation in museums has, until now, largely focused on the products of science-the kch...
This study presents semiotics semantics theory as a possible standard for exploring the interrelatio...
The article investigates how the use of extended reality technologies and interactive digital interf...
The Science, identity and belonging (SIB) research project aims at shedding light on codesign proces...
Science-art collaborations are a growth area. An example is the Wellcome Collection exhibition “Stat...