This article looks back to the first book imagining an “Asian cinema,” which was published in Japan on the eve of Pearl Harbor. It then works through a history of the conception of Asian cinema, discovering fundamental continuities between national and transnational cinema studies and calling for a regionalization of film history.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/111896/1/Creation.Construction.pdf1821
The article focuses on cultural influence and exchange between Japan and America—a process that can ...
This article explores the use of ethnofiction, a technique emerging from the field of visual anthrop...
This article explores how the appearance of composite media arrangements and the prominence of the c...
Article about the annual German film festival of Japanese moving image media.http://deepblue.lib.umi...
While my first article about Japanese cinema (published in Journal of Language and Literature, Tokus...
PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia...
The Western ‘discovery’ of Japanese cinema in the 1950s prompted scholars to articulate essentialist...
The Western ‘discovery’ of Japanese cinema in the 1950s prompted scholars to articulate essentialist...
In this article, I investigate the process of agenda building and implementation of the Japanese fil...
This thesis investigates the Japanese film industry's interactions with the West and Asia, the devel...
LITTLE HAS BEEN WRITTEN, especially in English, about the history of Malaysian cinema. Rather than a...
This article reviews the book Transnational Chinese Cinemas: Identity, Nationhood, Gender edited b...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's c...
In this article I shall explore two avenues of thought in relation to the role played by the benshi ...
The article focuses on cultural influence and exchange between Japan and America—a process that can ...
This article explores the use of ethnofiction, a technique emerging from the field of visual anthrop...
This article explores how the appearance of composite media arrangements and the prominence of the c...
Article about the annual German film festival of Japanese moving image media.http://deepblue.lib.umi...
While my first article about Japanese cinema (published in Journal of Language and Literature, Tokus...
PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia...
The Western ‘discovery’ of Japanese cinema in the 1950s prompted scholars to articulate essentialist...
The Western ‘discovery’ of Japanese cinema in the 1950s prompted scholars to articulate essentialist...
In this article, I investigate the process of agenda building and implementation of the Japanese fil...
This thesis investigates the Japanese film industry's interactions with the West and Asia, the devel...
LITTLE HAS BEEN WRITTEN, especially in English, about the history of Malaysian cinema. Rather than a...
This article reviews the book Transnational Chinese Cinemas: Identity, Nationhood, Gender edited b...
There’s a Japanese film industry, and then there’s ‘Japanese Cinema’ – a construct we imagine and cr...
Writing on Japanese cinema has prioritized aesthetic and cultural difference, and obscured Japan's c...
In this article I shall explore two avenues of thought in relation to the role played by the benshi ...
The article focuses on cultural influence and exchange between Japan and America—a process that can ...
This article explores the use of ethnofiction, a technique emerging from the field of visual anthrop...
This article explores how the appearance of composite media arrangements and the prominence of the c...
DOI
Add to ORKG