M.A. (English)In the following dissertation, the literary representation of the farm in Schreiner's The Story of an African Farm (18%3), Smith's The Beadle (1926), and Coetzee's In the Heart of the Country (1976) will be examined under two main categories. The first is the treatment of the farm landscape, or the specifically '* South African version of the pastoral myth. The second, and interrelated category, is the stereotypic vision that originated around the inhabitants of the South African farm. In both categories the focus will fallon the stereotypes of both land and inhabitants that existed at the time that Schreiner and Smith wrote, and the ways in which these stereotypes were used, modified, or expanded by these two authors. In the ...
In this thesis I analyse two novels from Southern Africa: The Grass is Singing (1950) by Doris Lessi...
The phenomenon of the farm attack has engendered an angry debate in South Africa today. Controversia...
I would argue that these two masterpieces share a similarity on more levels than just the aforement...
Thesis (M.A. (English))--North-West University, Potchefstroom Campus, 2005The farm in South Africa i...
This paper will attempt to specify a literary genre of farm narrative, canonically exemplified by Sc...
From Schreiner's The Story of an African Farm (1883) to Van Niekerk's Agaat (2004), the farm novel h...
Unless specifically indicated to the contrary in the text, this thesis is entirely my own work. The ...
The farm novels of southern Africa can be considered microcosms of gender stereotypes and racial att...
Thesis (M.A.) - University of Natal, Pietermaritzburg , 2002.The dissertation focuses on 1. M. Coetz...
1.1 Space, place, identity Given its unique history and the diverse ideological meanings attached to...
A critical reading of the first South African novel, *The Story of an African Farm* (1883) by Olive ...
Olive Schreiner, writing in the tradition of George Eliot and the Brontës, was an isolated yet origi...
Thesis (MA)--PU vir CHO, 1992This dissertation examines colonialism and the clash of cultures in con...
This article investigates how J.M. Coetzee’s “Disgrace” (1999) – portrayed as a postcolonial and pos...
This dissertation examines the way in which South African colonial texts may be read for the histor...
In this thesis I analyse two novels from Southern Africa: The Grass is Singing (1950) by Doris Lessi...
The phenomenon of the farm attack has engendered an angry debate in South Africa today. Controversia...
I would argue that these two masterpieces share a similarity on more levels than just the aforement...
Thesis (M.A. (English))--North-West University, Potchefstroom Campus, 2005The farm in South Africa i...
This paper will attempt to specify a literary genre of farm narrative, canonically exemplified by Sc...
From Schreiner's The Story of an African Farm (1883) to Van Niekerk's Agaat (2004), the farm novel h...
Unless specifically indicated to the contrary in the text, this thesis is entirely my own work. The ...
The farm novels of southern Africa can be considered microcosms of gender stereotypes and racial att...
Thesis (M.A.) - University of Natal, Pietermaritzburg , 2002.The dissertation focuses on 1. M. Coetz...
1.1 Space, place, identity Given its unique history and the diverse ideological meanings attached to...
A critical reading of the first South African novel, *The Story of an African Farm* (1883) by Olive ...
Olive Schreiner, writing in the tradition of George Eliot and the Brontës, was an isolated yet origi...
Thesis (MA)--PU vir CHO, 1992This dissertation examines colonialism and the clash of cultures in con...
This article investigates how J.M. Coetzee’s “Disgrace” (1999) – portrayed as a postcolonial and pos...
This dissertation examines the way in which South African colonial texts may be read for the histor...
In this thesis I analyse two novels from Southern Africa: The Grass is Singing (1950) by Doris Lessi...
The phenomenon of the farm attack has engendered an angry debate in South Africa today. Controversia...
I would argue that these two masterpieces share a similarity on more levels than just the aforement...