This article analyzes The Queen's Men's The Troublesome Reign of King John. As a source of Shakespeare's King John, the play remained in his shadow more or less until the publication in 1998 by Scott McMillin and Sally-Beth MacLean of their ground-breaking book The Queen's Men and their Plays. The key to their approach was to imagine the play in performance and on tour, as part of a repertory with its own distinct dramaturgical, stylistic, and political characteristics, in the service of the broad project of newly protestant nation-making usually identified principally with Walsingham and Leicester. In this account, the Queen's Men come over as a sixteenth-century English version of the Berliner Ensemble, with an aesthetics inseparable from...
This thesis analyses how early modern English history plays deploy representations of ‘unquiet’ medi...
William Shakespeare used sixteenth-century English historian Raphael Holinshed as a source for most ...
(Excerpt) Part I begins, as does KJ itself, with the French ambassador questioning the King’s legiti...
This article analyzes The Queen's Men's The Troublesome Reign of King John. As a source of Shakespea...
Review of Scott McMillin and Sally-Beth MacLean The Queen's Men and Their Plays, 1583-1603 (Cambridg...
Review of Scott McMillin and Sally-Beth MacLean, 'The Queen's Men and their plays' (Cambridge: Cambr...
While extensive provincial performance by Elizabethan professional companies is now widely acknowled...
Mentioning the Magna Charta for the first time in contemporary historical plays, Robert Davenport\u2...
In his 2004 essay, ‘The Sharer and His Boy’, Scott McMillin hypothesized that what he called ‘restri...
This article re-examines King John’s persecution and eventual destruction of his former friend, Will...
This article picks up on a tendency of recent criticism to look to Shakespeare for insights into con...
International audienceThis paper looks afresh at William Shakespeare's and John Fletcher's Henry VII...
In tracing the development of Shakespeare\u27s history plays, the recurring problem of legitimacy is...
In 1616, Queen Anne's Men, under the management of Christopher Beeston, moved theatrical operations ...
Ph.D.LiteratureUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.l...
This thesis analyses how early modern English history plays deploy representations of ‘unquiet’ medi...
William Shakespeare used sixteenth-century English historian Raphael Holinshed as a source for most ...
(Excerpt) Part I begins, as does KJ itself, with the French ambassador questioning the King’s legiti...
This article analyzes The Queen's Men's The Troublesome Reign of King John. As a source of Shakespea...
Review of Scott McMillin and Sally-Beth MacLean The Queen's Men and Their Plays, 1583-1603 (Cambridg...
Review of Scott McMillin and Sally-Beth MacLean, 'The Queen's Men and their plays' (Cambridge: Cambr...
While extensive provincial performance by Elizabethan professional companies is now widely acknowled...
Mentioning the Magna Charta for the first time in contemporary historical plays, Robert Davenport\u2...
In his 2004 essay, ‘The Sharer and His Boy’, Scott McMillin hypothesized that what he called ‘restri...
This article re-examines King John’s persecution and eventual destruction of his former friend, Will...
This article picks up on a tendency of recent criticism to look to Shakespeare for insights into con...
International audienceThis paper looks afresh at William Shakespeare's and John Fletcher's Henry VII...
In tracing the development of Shakespeare\u27s history plays, the recurring problem of legitimacy is...
In 1616, Queen Anne's Men, under the management of Christopher Beeston, moved theatrical operations ...
Ph.D.LiteratureUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.l...
This thesis analyses how early modern English history plays deploy representations of ‘unquiet’ medi...
William Shakespeare used sixteenth-century English historian Raphael Holinshed as a source for most ...
(Excerpt) Part I begins, as does KJ itself, with the French ambassador questioning the King’s legiti...