This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the Crafts Study Centre, Farnham, 16 October to 15 December 2012.\ud \ud In the exhibition, Alison Britton shows a selection of objects from her own 'study collection' of other people's work - paintings, photographs, drawings, pots, tableware - as a framework for a group of her new pots, mainly in red clay, which she started to use after a residency at the Shigaraki Ceramic Cultural Park in Japan in 2010
I wrote the preface to the substantial 470 page catalogue for the exhibition 'Things of Beauty Growi...
An exhibition co-curated with Anthony Quinn celebrating a century of ceramics at the Central School ...
Catalogue of an exhibition held at the Fine Arts Gallery, University Centre, 7 - 22 April, 198
This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the...
The exhibition contained works owned by the museum, dating from 1977 to 2012, now numbering 19 since...
The article reviews the art exhibition "Life and Still Life," which featured various works by the co...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
I was invited in 2010 as Guest Artist for a residency at Shigaraki while the Museum of Contemporary ...
This exhibition at Marsden Woo Gallery, London (2012) consisted of 12 hand-built ceramic works prese...
This book gathers together a selection of Britton’s writings, including new, previously unpublished ...
Alison Britton’s practice over the past few decades has explored both visual and verbal language, mo...
A fully illustrated book on the RJ Lloyd ceramic collection published by the Burton to accompany the...
Britton collaborated with Norwegian artist Marit Tingleff in this duo, to extend the dialogue betwee...
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
A book of essays and catalogue entries, plus a time line and maker's biographies. For nearly a ce...
I wrote the preface to the substantial 470 page catalogue for the exhibition 'Things of Beauty Growi...
An exhibition co-curated with Anthony Quinn celebrating a century of ceramics at the Central School ...
Catalogue of an exhibition held at the Fine Arts Gallery, University Centre, 7 - 22 April, 198
This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the...
The exhibition contained works owned by the museum, dating from 1977 to 2012, now numbering 19 since...
The article reviews the art exhibition "Life and Still Life," which featured various works by the co...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
I was invited in 2010 as Guest Artist for a residency at Shigaraki while the Museum of Contemporary ...
This exhibition at Marsden Woo Gallery, London (2012) consisted of 12 hand-built ceramic works prese...
This book gathers together a selection of Britton’s writings, including new, previously unpublished ...
Alison Britton’s practice over the past few decades has explored both visual and verbal language, mo...
A fully illustrated book on the RJ Lloyd ceramic collection published by the Burton to accompany the...
Britton collaborated with Norwegian artist Marit Tingleff in this duo, to extend the dialogue betwee...
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
A book of essays and catalogue entries, plus a time line and maker's biographies. For nearly a ce...
I wrote the preface to the substantial 470 page catalogue for the exhibition 'Things of Beauty Growi...
An exhibition co-curated with Anthony Quinn celebrating a century of ceramics at the Central School ...
Catalogue of an exhibition held at the Fine Arts Gallery, University Centre, 7 - 22 April, 198