Although consistently overlooked or dismissed, John 8.6,8 in the Pericope Adulterae is the only place in canonical or non-canonical Jesus tradition that portrays Jesus as writing. After establishing that John 8.6,8 is indeed a claim that Jesus could write, this book offers a new interpretation and transmission history of the pericope adulterae. Not only did the pericope's interpolator place the story in John's Gospel in order to highlight the claim that Jesus could write, but he did so at John 7.53-8.11 as a result of carefully reading the Johannine narrative. The final chapter of the book proposes a plausible socio-historical context for the insertion of the story
Luke 19, 45f is one of many examples among the New Testament texts where the literary efforts of its...
The writings of John are some of the most foundational New Testament documents for today’s Christian...
In this article the transactional model of narrative as expounded by Louise Rosenblatt, supported by...
Although consistently overlooked or dismissed, John 8.6,8 in the Pericope Adulterae is the only plac...
This thesis will argue that John 8.6, 8—when Jesus twice ‘bent down and began to write on the earth’...
Grappe Christian. Chris Keith, The Pericope Adulterae, the Gospel of John and the Literacy of Jesus,...
Broadly speaking, two types of answers to the question of whether John 7:53-8:11, the Pericope Adult...
The Pericope Adulterae has been subjected to intensive textual critical analysis, but this article p...
The longest and most mysterious New Testament interpolation is without doubt the Pericope Adulterae ...
The account of the woman caught in adultery, traditionally found in John’s Gospel, is full of encour...
Inspired by a sermon by Saint Nicholai of Ohrid and Ziča on Jesus’ writing on the ground, the paper ...
This essay argues that the Johannine “colophons” of John 20:30–31 and 21:24–25 support the argument ...
The paper deals with the relationship between the literary form and the message of the pericope John...
The earliest extant Christian texts are not narratives of the life of Jesus but occasion-specific le...
This article explores a probable motivation for the insertion of the Pericope Adulterae (John 7:53–...
Luke 19, 45f is one of many examples among the New Testament texts where the literary efforts of its...
The writings of John are some of the most foundational New Testament documents for today’s Christian...
In this article the transactional model of narrative as expounded by Louise Rosenblatt, supported by...
Although consistently overlooked or dismissed, John 8.6,8 in the Pericope Adulterae is the only plac...
This thesis will argue that John 8.6, 8—when Jesus twice ‘bent down and began to write on the earth’...
Grappe Christian. Chris Keith, The Pericope Adulterae, the Gospel of John and the Literacy of Jesus,...
Broadly speaking, two types of answers to the question of whether John 7:53-8:11, the Pericope Adult...
The Pericope Adulterae has been subjected to intensive textual critical analysis, but this article p...
The longest and most mysterious New Testament interpolation is without doubt the Pericope Adulterae ...
The account of the woman caught in adultery, traditionally found in John’s Gospel, is full of encour...
Inspired by a sermon by Saint Nicholai of Ohrid and Ziča on Jesus’ writing on the ground, the paper ...
This essay argues that the Johannine “colophons” of John 20:30–31 and 21:24–25 support the argument ...
The paper deals with the relationship between the literary form and the message of the pericope John...
The earliest extant Christian texts are not narratives of the life of Jesus but occasion-specific le...
This article explores a probable motivation for the insertion of the Pericope Adulterae (John 7:53–...
Luke 19, 45f is one of many examples among the New Testament texts where the literary efforts of its...
The writings of John are some of the most foundational New Testament documents for today’s Christian...
In this article the transactional model of narrative as expounded by Louise Rosenblatt, supported by...