This report outlines from the perspective of the artistic research processes an Arts/Science collaborative research project. The research explored the potential of generative/ALife systems that would create imagery that echoed the internal flows of dance-like movement, their potential as an operational system for visually-based interactive digital installations with a choreographic sensibility, and the use of viewers' physiological responses to the resulting kinetic imagery as an interactive interface to modulate that imagery. Undertaken over a period of 18 months with Dr Beau Lotto and four of his PhD students, Daniel Hulme, Richard Clarke, David Malkin and Erwan le Martelot at Lottolab – then a research lab at the University of London ...
Research funded by Gulbenkian Foundation. New work commissioned by Arts Council England with curator...
As part of a programme of research that is developing tools to enhance choreographic practice, an in...
The term ‘ Performing Data’ was first used by the artist Dr Rachel Jacobs and became the title of Ca...
This thesis considers how the making of artwork can enhance or develop an experience of being presen...
The research field is interactive performance arts. The research is a collaboration between the rese...
“Thinking with the Body,” an exhibition at Wellcome Collection in London, 2013, featured a series of...
Abstract. Over the course of the London 2012 Olympics a large public installation took place in Cent...
|mu| was a live dance theatre performance accompanied by a photography and art exhibition. It captur...
Sandiland explores the nature of human movement in intermedial spaces, hybrid areas where immediate ...
This research project originated in the questioning of the object in the physical space of the galle...
Tracking Creative Creatures is an interdisciplinary investigation, which aims to investigate the cre...
My practice-led research explores and maps workflows for generating experimental creative work invol...
I.F.F.E (The Invisible Force Field Experiments) took as its starting point British pastoral science ...
Shifting Intimacies is a large-scale interactive/media artwork created during a six-month research r...
This project investigated the possibilities for an interactive digital dance installation to convey ...
Research funded by Gulbenkian Foundation. New work commissioned by Arts Council England with curator...
As part of a programme of research that is developing tools to enhance choreographic practice, an in...
The term ‘ Performing Data’ was first used by the artist Dr Rachel Jacobs and became the title of Ca...
This thesis considers how the making of artwork can enhance or develop an experience of being presen...
The research field is interactive performance arts. The research is a collaboration between the rese...
“Thinking with the Body,” an exhibition at Wellcome Collection in London, 2013, featured a series of...
Abstract. Over the course of the London 2012 Olympics a large public installation took place in Cent...
|mu| was a live dance theatre performance accompanied by a photography and art exhibition. It captur...
Sandiland explores the nature of human movement in intermedial spaces, hybrid areas where immediate ...
This research project originated in the questioning of the object in the physical space of the galle...
Tracking Creative Creatures is an interdisciplinary investigation, which aims to investigate the cre...
My practice-led research explores and maps workflows for generating experimental creative work invol...
I.F.F.E (The Invisible Force Field Experiments) took as its starting point British pastoral science ...
Shifting Intimacies is a large-scale interactive/media artwork created during a six-month research r...
This project investigated the possibilities for an interactive digital dance installation to convey ...
Research funded by Gulbenkian Foundation. New work commissioned by Arts Council England with curator...
As part of a programme of research that is developing tools to enhance choreographic practice, an in...
The term ‘ Performing Data’ was first used by the artist Dr Rachel Jacobs and became the title of Ca...