Steffi Klenz's new work 'A Scape' focuses on the peripheral industrial spaces of London, capturing alienated remote landscapes and transforming the city into a strange and confined space. The work was shown as part of the exhibition, Strange Places, curated by Alexandra Stara encounters and explores issues of borderlands; thresholds and territoriality and beauty is uncovered in the most surprising of places
Photographic work from Billingham's series 'Black Country' was exhibited in 'The Witching Hour: Dark...
Early Photographic work from Billingham's series of urban landscape work made in 1997 was exhibited ...
The six painters in this exhibition have been selected for their interest in the metaphorical interp...
Whether gazing at ambiguous thresholds on the edges of the city, or tracing liminal spaces in its ce...
This paper discusses the work of artists Steffi Klenz (b. 1979) and Thomas Weinberger (b. 1964), who...
“A Scape” is devoted to the theme of landscape and its relationship to London as a city. The series ...
Plotting Spaces is an exhibition by photographic artist Steffi Klenz, presented by the University of...
This photograph, Pudding Mill Lane is one from the series 'A Scape'. 'A Scape' is devoted to the the...
Steffi Klenz's practice is preoccupied with the built environment, critically exploring the notion o...
The photography group exhibition 'The Skinned City' was curated by Steffi Klenz for Yinka Shonibare ...
Cavusoglu's project at Transit Space consists of two exhibitions, Vitrine I and Vitrine II. For this...
The exhibition Place(less)ness is a collaboration between the curators Dr Melanie Sarantou and PhD c...
An exhibition brought to Exeter Phoenix by Art Week Exeter in collaboration with well known art hist...
Landscapes 2001 - 2003 consisted of three exhibitions of the same large scale framed gallery photogr...
This thesis explores how the works of Eleanor Bond, Brenda Pelkey and Janet Cardiff emphasize the in...
Photographic work from Billingham's series 'Black Country' was exhibited in 'The Witching Hour: Dark...
Early Photographic work from Billingham's series of urban landscape work made in 1997 was exhibited ...
The six painters in this exhibition have been selected for their interest in the metaphorical interp...
Whether gazing at ambiguous thresholds on the edges of the city, or tracing liminal spaces in its ce...
This paper discusses the work of artists Steffi Klenz (b. 1979) and Thomas Weinberger (b. 1964), who...
“A Scape” is devoted to the theme of landscape and its relationship to London as a city. The series ...
Plotting Spaces is an exhibition by photographic artist Steffi Klenz, presented by the University of...
This photograph, Pudding Mill Lane is one from the series 'A Scape'. 'A Scape' is devoted to the the...
Steffi Klenz's practice is preoccupied with the built environment, critically exploring the notion o...
The photography group exhibition 'The Skinned City' was curated by Steffi Klenz for Yinka Shonibare ...
Cavusoglu's project at Transit Space consists of two exhibitions, Vitrine I and Vitrine II. For this...
The exhibition Place(less)ness is a collaboration between the curators Dr Melanie Sarantou and PhD c...
An exhibition brought to Exeter Phoenix by Art Week Exeter in collaboration with well known art hist...
Landscapes 2001 - 2003 consisted of three exhibitions of the same large scale framed gallery photogr...
This thesis explores how the works of Eleanor Bond, Brenda Pelkey and Janet Cardiff emphasize the in...
Photographic work from Billingham's series 'Black Country' was exhibited in 'The Witching Hour: Dark...
Early Photographic work from Billingham's series of urban landscape work made in 1997 was exhibited ...
The six painters in this exhibition have been selected for their interest in the metaphorical interp...