Add to ORKGMagdalene Odundo describes the importance of pots in the African way of life and how this led to her own creation of objects in clay.\ud August Casely-Howard then reviews the works created by the artist for the exhibition Resonance and Inspiration. This exhibition included 11 ceramic vessels and seven drawings
In my works, I capture and record gestures in a malleable material, clay. The movement of the body i...
Faces in Ceramics: People, Pots and Poems is a visually stimulating and aesthetically pleasing book ...
The exhibition, stillwater, is a Capstone Project that showcases ceramic-based installations in addi...
Catalogue of a retrospective exhibition held at Blackwell/Lakeland Arts Trust, Bowness-on-Windemere...
A catalogue of a retrospective exhibition held at Blackwell/Lakeland Arts Trust, Bowness-on-Windemer...
This study is a reading of Magdalene Odundo’s ceramic vessel Untitled # 10 (1995), acquired jointly ...
This new body of work marks a return to ceramics following fellowships during which I worked primari...
This article is a review related to Magdalene Odundo's research entitled Time and Again. This item ...
Magdalene Odundo OBE is recognised as one of Britain's leading artists working in the medium of cera...
My current ceramic work explores traditional ways of making that are informed by personal and cultur...
The practice of ceramics is steeped in history and tradition. For thousands of years humans have exp...
Exhibition: Ceramics Collect was launched in 2004 as the only international art fair in Europe that ...
One of the most meaningful artistic endeavours within the modern ceramic movement is the investigati...
The Tweed Museum of Art is proud to announce an exhibition of fine studio ceramics by masters in the...
This groundbreaking book is the first to provide a critical overview of the relationship between con...
In my works, I capture and record gestures in a malleable material, clay. The movement of the body i...
Faces in Ceramics: People, Pots and Poems is a visually stimulating and aesthetically pleasing book ...
The exhibition, stillwater, is a Capstone Project that showcases ceramic-based installations in addi...
Catalogue of a retrospective exhibition held at Blackwell/Lakeland Arts Trust, Bowness-on-Windemere...
A catalogue of a retrospective exhibition held at Blackwell/Lakeland Arts Trust, Bowness-on-Windemer...
This study is a reading of Magdalene Odundo’s ceramic vessel Untitled # 10 (1995), acquired jointly ...
This new body of work marks a return to ceramics following fellowships during which I worked primari...
This article is a review related to Magdalene Odundo's research entitled Time and Again. This item ...
Magdalene Odundo OBE is recognised as one of Britain's leading artists working in the medium of cera...
My current ceramic work explores traditional ways of making that are informed by personal and cultur...
The practice of ceramics is steeped in history and tradition. For thousands of years humans have exp...
Exhibition: Ceramics Collect was launched in 2004 as the only international art fair in Europe that ...
One of the most meaningful artistic endeavours within the modern ceramic movement is the investigati...
The Tweed Museum of Art is proud to announce an exhibition of fine studio ceramics by masters in the...
This groundbreaking book is the first to provide a critical overview of the relationship between con...
In my works, I capture and record gestures in a malleable material, clay. The movement of the body i...
Faces in Ceramics: People, Pots and Poems is a visually stimulating and aesthetically pleasing book ...
The exhibition, stillwater, is a Capstone Project that showcases ceramic-based installations in addi...