This paper deals with various problems in quantifying musical time encountered both in the analysis of traditional drumming and in computer-generated musical pieces based on "sound-objects", hereby meaning code sequences controlling a real-time sound processor.<BR /><BR />In section 1 it is suggested that syntactic approaches may be closer to the intuitions of musicians and musicologists than commonly advocated numeric approaches. Further, symbolic-numeric approaches lead to efficient and elegant solutions of constraint-satisfaction problems relative to symbolic and physical durations, as illustrated in sections 2 and 3 respectively
cote interne IRCAM: Bresson06aNone / NoneNational audienceThis article addresses the problem of the ...
cote interne IRCAM: Bresson06aInternational audienceThis article addresses the problem of the repres...
Music signals comprise of atomic notes drawn from a musical scale. The creation of musical sequences...
This paper deals with various problems in quantifying musical time encountered both in the analysis ...
This paper deals with various problems in quantifying musical time encountered both in the analysis ...
This is an extended and revised version of the paper: Symbolic and Sonic Representations of Sound-Ob...
This is an extended and revised version of the paper: Symbolic and Sonic Representations of Sound-Ob...
This article discusses the issues in the design of a representational system for music. Following de...
Musical time can be considered to be the product of two time scales: the discrete time intervals of ...
Contains fulltext : 74817.pdf (publisher's version ) (Open Access)Musical time can...
Contains fulltext : 74845.pdf (postprint version ) (Open Access)This paper present...
This paper presents a calculus that enables expressive timing to be transformed on the basis of the ...
In discussing the formalization of musical knowledge, this article describes an important music-repr...
The research presented is based on the study of music, the study of mind and the study of machine. M...
In this lecture musical rhythm is represented symbolically, which renders it emi-nently suitable for...
cote interne IRCAM: Bresson06aNone / NoneNational audienceThis article addresses the problem of the ...
cote interne IRCAM: Bresson06aInternational audienceThis article addresses the problem of the repres...
Music signals comprise of atomic notes drawn from a musical scale. The creation of musical sequences...
This paper deals with various problems in quantifying musical time encountered both in the analysis ...
This paper deals with various problems in quantifying musical time encountered both in the analysis ...
This is an extended and revised version of the paper: Symbolic and Sonic Representations of Sound-Ob...
This is an extended and revised version of the paper: Symbolic and Sonic Representations of Sound-Ob...
This article discusses the issues in the design of a representational system for music. Following de...
Musical time can be considered to be the product of two time scales: the discrete time intervals of ...
Contains fulltext : 74817.pdf (publisher's version ) (Open Access)Musical time can...
Contains fulltext : 74845.pdf (postprint version ) (Open Access)This paper present...
This paper presents a calculus that enables expressive timing to be transformed on the basis of the ...
In discussing the formalization of musical knowledge, this article describes an important music-repr...
The research presented is based on the study of music, the study of mind and the study of machine. M...
In this lecture musical rhythm is represented symbolically, which renders it emi-nently suitable for...
cote interne IRCAM: Bresson06aNone / NoneNational audienceThis article addresses the problem of the ...
cote interne IRCAM: Bresson06aInternational audienceThis article addresses the problem of the repres...
Music signals comprise of atomic notes drawn from a musical scale. The creation of musical sequences...