International audienceThe paper shows how the formulae of the travel guide and of the French eighteenth century novel collaborate in Paris ou le Mentor à la mode by Mouhy. Both models are treated with a mixture of respect and disdain, each one attenuating the specificities of the other. A kind of " third place " is then created, sharing characteristics with the topicals " lieux de l'action " used in the French eighteenth century novel, but also with the " hauts-lieux " highlighted by the travel guides.L'article montre comment les recettes du guide de voyage et l'esthétique romanesque collaborent dans Paris ou le Mentor à la mode du chevalier de Mouhy. Traités de manière similaire, avec un mélange de respect et de non-conformisme, les deux m...
This article deals with tourist perception of the space from the end of the nineteenth century to ou...
In coming to Paris in the wake of the Revolution of 1830 Heine resumed the tradition of the german o...
Dossier sous la direction de Pascale Mounier et Anne Réach-Ngô.International audienceThe first part ...
International audienceThe paper shows how the formulae of the travel guide and of the French eightee...
International audienceDefining Paris ou le Mentor à la mode as an early bildungsroman, the paper dem...
Paris tient une place de choix dans la géographie romanesque du XVIIIe siècle, mais il ne s’agit pas...
In the developing tourist culture of the nineteenth century, hundreds of guidebooks to Paris were pu...
International audienceThe aim of this article is to identify spatial logics of a major touristic des...
The historical circulation ol guidebooks : erom the place to visit elsewhere to the traveller. The ...
This article focuses on a vast category of texts, the so-called \u201cTableaux de Paris\u201d, or \u...
This paper deals with travel guides and, more specifically, with French-written guides that invite t...
Gonnet Paul. Un guide de voyage inédit du XVIIIe siècle : le récit du comte de Vienne. In: Cahiers d...
This pioneering paper is the first to consider the contribution of a new type of urban literature to...
Chabaud Gilles. Images de la ville et pratiques du livre : le genre des guides de Paris (XVIIe-XVIII...
Les « guide-interprètes » constituent des médiateurs entre les touristes et les espaces. Incarnant u...
This article deals with tourist perception of the space from the end of the nineteenth century to ou...
In coming to Paris in the wake of the Revolution of 1830 Heine resumed the tradition of the german o...
Dossier sous la direction de Pascale Mounier et Anne Réach-Ngô.International audienceThe first part ...
International audienceThe paper shows how the formulae of the travel guide and of the French eightee...
International audienceDefining Paris ou le Mentor à la mode as an early bildungsroman, the paper dem...
Paris tient une place de choix dans la géographie romanesque du XVIIIe siècle, mais il ne s’agit pas...
In the developing tourist culture of the nineteenth century, hundreds of guidebooks to Paris were pu...
International audienceThe aim of this article is to identify spatial logics of a major touristic des...
The historical circulation ol guidebooks : erom the place to visit elsewhere to the traveller. The ...
This article focuses on a vast category of texts, the so-called \u201cTableaux de Paris\u201d, or \u...
This paper deals with travel guides and, more specifically, with French-written guides that invite t...
Gonnet Paul. Un guide de voyage inédit du XVIIIe siècle : le récit du comte de Vienne. In: Cahiers d...
This pioneering paper is the first to consider the contribution of a new type of urban literature to...
Chabaud Gilles. Images de la ville et pratiques du livre : le genre des guides de Paris (XVIIe-XVIII...
Les « guide-interprètes » constituent des médiateurs entre les touristes et les espaces. Incarnant u...
This article deals with tourist perception of the space from the end of the nineteenth century to ou...
In coming to Paris in the wake of the Revolution of 1830 Heine resumed the tradition of the german o...
Dossier sous la direction de Pascale Mounier et Anne Réach-Ngô.International audienceThe first part ...