cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the findings of the one-day workshop called Choreographic Computations: Motion Capture and Analysis for Dance held at IRCAM (Institute for music/acoustic research and coordination) in Paris in June 2006. The focus of the workshop was on new innovations combining motion capture and computer-based techniques with choreography and performance. An international group of artist programmers and dance makers who are bringing complex algorithmic procedures into alignment with choreographic creation were invited to give presentations and discuss, with each other and the invited audience, the shared understanding of movement and gesture they are developing
The creative uses of new motion capture technology place it in the middle of a hybrid and relatively...
The use of technology in choreographic process has been encumbered by the richness of data in live h...
Access to new technologies has often been difficult and inadequate for the needs of contemporary cho...
cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the ...
cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the ...
How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers wo...
cote interne IRCAM: Bevilacqua11aNone / NoneNational audienceGesture capture: Paradigms in interacti...
Springer Tracts in Advanced Robotics (111)International audienceHow and why to write a movement? Who...
Springer Tracts in Advanced Robotics (111)International audienceHow and why to write a movement? Who...
cote interne IRCAM: Bevilacqua10bNone / NoneNational audienceFollowing movements in interactive danc...
cote interne IRCAM: Bevilacqua10bNone / NoneNational audienceFollowing movements in interactive danc...
cote interne IRCAM: Bevilacqua10bNone / NoneNational audienceFollowing movements in interactive danc...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
The creative uses of new motion capture technology place it in the middle of a hybrid and relatively...
The use of technology in choreographic process has been encumbered by the richness of data in live h...
Access to new technologies has often been difficult and inadequate for the needs of contemporary cho...
cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the ...
cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the ...
How and why to write a movement? Who is the writer? Who is the reader? They may be choreographers wo...
cote interne IRCAM: Bevilacqua11aNone / NoneNational audienceGesture capture: Paradigms in interacti...
Springer Tracts in Advanced Robotics (111)International audienceHow and why to write a movement? Who...
Springer Tracts in Advanced Robotics (111)International audienceHow and why to write a movement? Who...
cote interne IRCAM: Bevilacqua10bNone / NoneNational audienceFollowing movements in interactive danc...
cote interne IRCAM: Bevilacqua10bNone / NoneNational audienceFollowing movements in interactive danc...
cote interne IRCAM: Bevilacqua10bNone / NoneNational audienceFollowing movements in interactive danc...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
The creative uses of new motion capture technology place it in the middle of a hybrid and relatively...
The use of technology in choreographic process has been encumbered by the richness of data in live h...
Access to new technologies has often been difficult and inadequate for the needs of contemporary cho...