International audienceIn this article we discuss the possibility of presenting the unique qualities of ‘the body’ in contemporary dance practice through tailored digital choreographic objects. We reflect on some implications of abstraction in cognitive science, and on ‘the body’ as a site of exploration and knowledge in the realm of social, moral, and relational being
Situated cognition seems to be one of the relevant pillars in the literature on embodied cognition: ...
Neuroscience clarifies the relationship between dance, cognitive activities, and biobehavioral respo...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
International audienceIn this article we discuss the possibility of presenting the unique qualities ...
International audienceSeveral successful contemporary dance companies in Europe are experimenting wi...
This practice-based research examines interactive and immersive technologies from the perspective of...
Contemporary dance is most often created through bodily explorations in the medium of movement. It i...
This paper extends on Don Ihde’s theories of human/ technology relations in order to clarify the af...
By unpacking push and pull between humans and machines over 5 days in a studio environment that shap...
Examining the ontology and place of digital dance within the spectrum of contemporary choreographic ...
Contemporary dance—movement deliberately and systematically cultivated for its own sake—is examined ...
In the creation, performance and appreciation of contemporary dance we find a microcosm of cognition...
This article considers fifty-eight selected dance works created during the time period of 2000-2018....
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
Dance consists of a dancer’s sensory experience as well as her/his inner experience. On the ot...
Situated cognition seems to be one of the relevant pillars in the literature on embodied cognition: ...
Neuroscience clarifies the relationship between dance, cognitive activities, and biobehavioral respo...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
International audienceIn this article we discuss the possibility of presenting the unique qualities ...
International audienceSeveral successful contemporary dance companies in Europe are experimenting wi...
This practice-based research examines interactive and immersive technologies from the perspective of...
Contemporary dance is most often created through bodily explorations in the medium of movement. It i...
This paper extends on Don Ihde’s theories of human/ technology relations in order to clarify the af...
By unpacking push and pull between humans and machines over 5 days in a studio environment that shap...
Examining the ontology and place of digital dance within the spectrum of contemporary choreographic ...
Contemporary dance—movement deliberately and systematically cultivated for its own sake—is examined ...
In the creation, performance and appreciation of contemporary dance we find a microcosm of cognition...
This article considers fifty-eight selected dance works created during the time period of 2000-2018....
This article examines the impact of the presence of the human body on how we perceive dance art. It ...
Dance consists of a dancer’s sensory experience as well as her/his inner experience. On the ot...
Situated cognition seems to be one of the relevant pillars in the literature on embodied cognition: ...
Neuroscience clarifies the relationship between dance, cognitive activities, and biobehavioral respo...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
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