[[alternative]]Research on Inheritance and Development of Ko-kah Theatre in Houli, Taichung City

[[abstract]] 本論文以台中市后里區九甲戲為研究內容，藉由田野調查、深度訪談、歷史研究與文獻分析、展演記錄，進一步了解后里廣福社區是如何接觸九甲戲，並且試圖復振和保存，「南管新錦珠」劇團是如何保存並且如何能讓現代人接觸與學習。藉由音樂分析，對於九甲戲「南北交加」一詞能有更實際且明確的記錄，從不同的角度了解南管與北管之間是如何融合。 本論文各章節的內容概要如下：第一章為緒論，包含研究動機與目的、文獻探討、研究方法與步驟、研究範疇與限制。第二章談論九甲戲的名稱及其釋義，並且從台灣九甲戲的歷史發展，進而記錄后里地區王包與王萬福家族過去對於九甲戲發展的重要性。第三章是對於研究對象的記錄，廣福社區對於九甲戲的復振和保存嘗試新的整合方式，希望能透過不同的演出型態來重現九甲戲；南管新錦珠劇團藉由教學、演出，以及筆者對於展演的紀錄，將此一現象作為一個文化與社會事實來記錄與描述，在傳統與現在的磨合與變異之間，探討理念與方法上銜接與整合的軌跡與可行策略，讓傳統與現在接軌。第四章是音樂分析，其中包含林萬洲樂師的手抄譜及演奏、南管新錦珠劇團過去的九甲戲音樂錄製，以及實際的展演紀錄做有效的分析，了解「南北交加」的呈現過程與方式。從分析當中，也探討樂譜重新改寫以及實際操作與呈現的問題。第五章為結論，從研究與記錄的過程中，試圖提出未來可能發展或研究的方向及內容。[[abstract]] This thesis focus on the development of Ko-kah-hì in Houli Area in Taichung. By doing the field investigations, interviews, history researches, literature analysis, and studying the historical records to understand how people in Kuang-Fu community first encounter with Ko-kah-hì and how they reconstructed and preserved it. Furthermore, by doing this research, we may understand how “Nanguan Sinjinjhu” Troupe worked on the preservation of Ko-kah-hì and how they let the public people contact with it and learn it. Through the music analysis, we may gain the clear and actual understanding about the term “North-South Cross”. We may understand how Nanguan and Beiguan integrated in different aspects. This thesis contains: Chapter One-The introduction of the motivation and the purpose of this study, bibliography review, methodology, research area and limitation. Chapter Two is the difinition of Ko-kah-hì terms. The author records Wang-Bao and Wang-Wan-Hu Famliy’s devotion on Ko-kah-hì from the develpment of Ko-kah-hì in Taiwan point of veiw. Chapter Three is the record of Kuang-Fu community reconstruction and preservation, and attempt to integrate with new innovations. The author records the teaching and performance by“Nanguan Sinjinjhu” Troupe as a social study and research the possibility of integrated the traditional concepts and modern ideas. Chapter Four is the music analysis. It contains the music analysis of the performance reorder and hand script of maestro Lin Wan Chou, Ko-kah-hì music recorder and the actual performance recorder of “Nanguan Sinjinjhu” Troupe, as well as the methodology of “North-South Cross”that had been performed in the past. The analysis also present the problems occurred during the re-write of the music and the play. Chapter Five is the conclusion. It concludes the research and the recording of this thesis and proposes the possible direction of the further research in the future