[[alternative]]Research on Performance and Music of Che Ku Chen in Yă-gou Village

[[abstract]] 車鼓陣是台灣民間藝術中重要的表演之一，呈現出台灣早期社會日出而作，日落而息的生活型態，但現今車鼓陣的表演形式因時代變化發展出多元的演出模式，反映出時代的變遷。 筆者於文中呈現出本文的研究動機與目的、文獻探討、研究方法與步驟和研究限制與範疇，主要的研究題材是延續於大學時期參與的「彰化縣八音音樂調查研究」，也整理與車鼓陣相關的文獻，進入到車鼓陣的歷史與發展，討論各學者對車鼓陣源流的不同說法，本文依源自花鼓、秧歌之說法分別敘述之，在透過介紹和美鎮的歷史文化，從地理、人文和社會等方面，看出「和美雅溝里才藝車鼓陣」能持續活躍至今的藝術氣息。最後針對「彰化縣和美鎮雅溝里才藝車鼓陣」的前場與後場作介紹，紀錄其音樂、樂譜和發展近況與未來發展，然後提出結論。[[abstract]] Chekuchen is a significant performance of folk art in Taiwan. It displays Taiwanese lifestyle in the early stages “Go to bed with the lamb, and rise with the lark”. However, Chekuchen performance has been changed and developed diversification of performance due to vicissitude of time. This dissertation illustrated research motivations and aims, literature review, research method and steps of research, limits and scope of research. This research tried to collect and analyze interrelated literature. Furthermore, the history and development of Chekuchen were discussed, also involved the different perspectives of Chekuchen’s derivation. This research adopted Prof. Huang Ling-Yu’s picture which Chekuchen is from Flower drum (花鼓) and Yangko (秧歌). This dissertation demonstrated the introduction of show platform (前場) and orchestra (後場), musical recordings, musical scores and recent development of Hemei Yagou district Accomplishment Chekuchen by historical and cultural perspectives. The conclusion had been given in the final part