[[alternative]]A Story of Motion--The Discussion and Research of Li Yin-fen's Ink Painting Creation

[[abstract]] 「行旅物語」是以理論探討分析與實際創作相互整合，表達研究者對於台灣社會人群與生態物種、昆蟲的移動狀態。「行旅」充滿各種意涵，有如生命體為了追求繁衍與生存的積極目的，甚至是現實環境中的劇烈變遷，而進行一種本能性的移動，可以是忙碌、休閒、覓食、慾望、避禍等生活與生存意識，過程包含時間性及空間性，不僅在於肢體動作上更是心靈上的重要過程，一生是不是生命蛻變或衰亡的一個轉折，因生活經驗、時間的流逝、心境的轉換而昇華成為另一個境界，是漫漫亦或為短暫的過程。 本研究以現代水墨的方式呈現，利用文獻研究法將行旅相關文獻做分析與延伸思考，接著利用圖像學研究法來掌握作品的現象層意義而來傳達所要呈現創作中象徵的意涵、以及行動研究法，將行旅相關文獻資料與象徵性做整合，實際於行動研究試驗各種繪畫技法及方式來表達創作意涵。 「行旅」根源思維，係以「遊」的方式出發，著重於一種身體的實踐之外，同時也是一種外在空間與內在體認，從中國遊觀的行為中，除了開拓自我對外部世界的認知同時也能達到內在的體認與反省，以及班雅明的閒逛者是以漫遊行動找尋個人對於都市的情感結構，至於莊子的遊世則以自由自在的心境去追尋。文中更以集體無意識揭示人類共同的或是普遍一致的深層無意識心理結構，對於生活環境中探討人們的心理投射。 綜觀上述，研究者於筆與墨之間的自由揮灑中，重新賦予了「行旅」的新生命與新詮釋，進而引發觀賞者的共鳴與思考。於是，展現視覺前的作品終於被賦予新的面貌，同時也為自己紥下更深的創作技巧與思維。[[abstract]] “A Story of Motion” is integrated with theory discussion and actual creation to express social crowd state of movement with ecological species and insects for Taiwan. “Motion” is full of various meaning. For example, living body carries on instinctive movement for positive purpose of pursuing multiplication and survival, even violent change in the realistic environment. It can busy, rest, look for food, desire, avoid a disaster, etc. in life and survival consciousness; process contains time and space. It’s important process not only in body action but also in spirit. Whether life transmute or dead in lifetime is one of turning point. Being is sublimated to another condition because of experience of life, time passed away and transition of mood. The process can be long or brief. First of all, the study is showed by modern ink, and using method of literature review to analyze and extensive consider “Motion”. Next, works are showed creative meaning and symbol by applying method of iconological interpretation. At last, “Motion” about literature datas and symbols are integrate by using method of action research. Works are attempted to various painting skills to express creative meaning at the actual action research. “Motion” originate with “lnner landscape”. It emphasizes a kind of body’s practice. Simultaneously, it’s also a kind of outer space and interior realization. In addition to expand cognition for external world by oneself, people are able to reach internal cognition and reflection from Chinese “lnner landscape” behavior. Walter Benjamin’s Flâneur makes use of roaming action to find personal feeling for emotion of city. As regards Zhuangzi, his migration world view is footloose mood to pursue “Motion”. Summing up the above illustrations, researcher draws freely between painting brash and ink. To Re-gave “Motion” a new life and interpretations cause appreciator resonance and thought. Therefore, demonstration of visual works are given a new appearance. Author roots deeper creative skills and thought at the same time