[[alternative]]The Dialogue between Science and Technology and Life--A Study of Huang Qing-Yu's Modern Ink Painting

[[abstract]] 「科技與生活的對話」以哲學理論之分析及創作實踐兩者互相應證，從兩者的存在本質以及旁觀者的角度，透過自身感受科技充斥下的社會現象，從觀察與實踐中認清科技與人性的本質以及科技與人性的共生關係。在持續現代化的社會理，人性中的欲望推動著科技與藝術，使兩者不斷地進步與改變，科技持續進步產生的結果，使得人們既驚奇卻又焦慮不安，在焦慮毫無疏解的狀況下，欲望與進步不斷循環、堆疊，成為無限的輪迴。 本研究乃是透過「觀察生態」的角度進行分析，將科技下的社會現象看作一個生態世界，由現代水墨的行動研究方法，透過對科技世界中的情感與認知，同時藉由文獻分析法進行反思：（一）現象學之存在、社會學對科技進步的論點及道家之宇宙論釐清科技與人性的關系；（二）透過儒家探討人性與天道之人本主義論，透過心理學家之論點進行分析與對照，探討人性之需求；（三）從符號與圖像學進行探索，分析人類運用符號之本能與藝術創作上，運用圖像符號之表現形式、色彩運用、畫面空間處理等，令情感得以在藝術創作中實現與成長。 在創作系列中，分為：（一）「世界系列」為透過超現實、象徵等手法，以客觀角度描繪過去與現代科技世界的社會現象；（二）「情感系列」則注重於個人內在情感表現，將自我走在科技世界時的感受以圖像傳遞；（三）「黑洞系列」繪出人性中扭曲、貪婪的一面；（四）「祈願系列」則是著墨於科技帶來的期待與希望。 透過以上所述，在進行思考、實踐、反省的循環過程下，釐清自我對科技與人性的本質認知，使作品重新賦予其新的意義，並藉此道出人們在面對科技下應有的生活態度與欲望的正確抒發方式。[[abstract]] “The dialogue between technology and Science and life” is a cross-validation between philosophical theories and creative practice. Through observation and practice, it helps one identify the nature of technology and human as well as the symbiosis between them in social phenomena involving technological advancement. In this modernizing society, human desires drive technology and arts to change and advance. However, continuous advancement of technology causes surprises as well as anxiety to people. Without adequate relief of the anxiety, human desires and technological advancement may accumulate and interact, resulting in an infinite loop. The analysis in this study was based on the perspective of “observational ecology”. The social phenomena in this technological world were viewed as an ecology. Through action research on modern ink painting, this study analyzed affections and cognitions in this technological world and reviewed related literature. The objectives of this study were to (1) investigate the existence of phenomenology, technological advancement from the perspective of sociology, and Taoist cosmology to clarify the relationship between technology and human nature; (2) analyze human needs from the perspectives of humanistic thoughts of Confucianism and psychological views; (3) use the concepts of semiology and iconology to analyze human’s born ability of using symbols and applications of symbols, including forms of expression, colors, and image spacing styles, in art creation to demonstrate and grow their feelings in art works. In creative practice, this study presented the following series of works: (1) “World series” objectively depicts the past and the present social phenomena using surrealistic and symbolic techniques; (2) “Affection series” is primarily about image presentation of personal feelings about living in this technological world; (3) “Dark hole series” portrays the distorted and greedy side of human nature; (4) “Blessing series” focuses on anticipations and expectations of technology. Through the cyclic process of thinking, practice, and reflection, the author attempted to clarify the nature of technology and human and find a new meaning of her art works, an advised attitude toward technological advancement, and better ways to convey human desires