[[alternative]]Creating Whose Collective Memory？Taisi International Art Village in Community Empowerment

[[abstract]] 本文以集體記憶為理論基礎，企圖找出台西國際藝術村中社區總體營造者、當地居民、新移民、國際志工四種人的集體記憶與社區總體營造的關聯，分別對六位社區總體營造者、十六位社區居民、四位新移民及四位國際志工進行半結構式訪談，並採用主題分析法（thematic analysis）進行研究結果的分析歸納。 研究結果如下：（一）社區總體營造者以藝術村改造台西鄉，讓台西鄉擺脫流氓之鄉的惡名。（二）社區居民認可彩繪活動帶動社區環境美化及活化的功能，但對彩繪活動的認同度不高。（三）新移民讚許彩繪活動提昇台西的能見度。（四）國際志工感受台西人的熱情與人情味。 最後，根據研究結果對雲林縣政府文化局及台西國際藝術村的社區總體營造者提出建議。[[abstract]] With collective memory as the theoretical basis, this study attempts to recognize the relationship between the collective memory of community developers in Taisi International Art village, including its local residents, new immigrants, international volunteers, and community empowerment. It conducts semi-structured interviews on 6 community developers, 16 community residents, 4 new immigrants, and 4 international volunteers. The data are analyzed by thematic analysis. The results are follows: (1) community developers reconstruct Taisi Township into an artist village; thus, Taisi Township is no longer called the town of gangsters; (2) community residents agree to the painting activity, which beautifies and activates community environment; however, their identification with the painting activity is low; (3) new immigrants agree that the painting activity enhances the exposure of Taisi; (4) international volunteers perceive the passion and friendship of the people of Taisi. Finally, based on the findings, this study proposes suggestions for the Cultural Affairs Department, Yunlin County Government, and community developers of Taisi International Art village