Scarcely anywhere else in the repertory of lyric poetry is the identity of the poet and the composer quite as apparent as in the works of Guillaume de Machaut, the foremost French poet and musician of the fourteenth century (d1377). His works with music should be approached confidently as integral lyrics, as composite works of poetry and music, because he wrote about the process of providing music for poetry and writing texts to be set to music. Furthermore, he specified the sequence of his own compositions- narrative and lyrical, poetical and musical - all in a single book
Machaut’s seventeenth motet might be one of his earliest works. Under its simple appearance it hides...
This collection is the first full-length literary study on Machaut, France’s leading poet and musici...
Analysis of the poetry of Guillaume de Machaut's lais reveals that a surprisingly large number of m...
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean ...
The life of Guillaume de Machaut (c. 1300-1377) is examined in light of his loyalty to his king, pat...
This dissertation explores the multifaceted role of memory in the formulation and transmission of lo...
Fourteenth-century France exhibits the effects of an era grappling for an identity through its langu...
In recent scholarship it has been increasingly emphasized that Machaut, particularly in his later se...
Monophonic virelais constitute a significant proportion of Guillaume de Machaut's compositions in th...
The dualistic relationship of words and music in Machaut’s refrain songs (proposed in Part 1 of this...
Guillaume de Machaut's motets constitute a cycle. This study focuses upon Machaut's six Latin texted...
The aim of this thesis is to examine what a study of the visual presentation of the fourteenth-centu...
This dissertation is a study of the musical variants in the six manuscripts transmitting the complet...
The poet and composer Guillaume de Machaut is unique in the fourteenth century for his massive compl...
Niniejsza praca o tytule "Sztuka słowa i sztuki muzyki w wybranych balladach Wilhelma z Machaut" skł...
Machaut’s seventeenth motet might be one of his earliest works. Under its simple appearance it hides...
This collection is the first full-length literary study on Machaut, France’s leading poet and musici...
Analysis of the poetry of Guillaume de Machaut's lais reveals that a surprisingly large number of m...
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean ...
The life of Guillaume de Machaut (c. 1300-1377) is examined in light of his loyalty to his king, pat...
This dissertation explores the multifaceted role of memory in the formulation and transmission of lo...
Fourteenth-century France exhibits the effects of an era grappling for an identity through its langu...
In recent scholarship it has been increasingly emphasized that Machaut, particularly in his later se...
Monophonic virelais constitute a significant proportion of Guillaume de Machaut's compositions in th...
The dualistic relationship of words and music in Machaut’s refrain songs (proposed in Part 1 of this...
Guillaume de Machaut's motets constitute a cycle. This study focuses upon Machaut's six Latin texted...
The aim of this thesis is to examine what a study of the visual presentation of the fourteenth-centu...
This dissertation is a study of the musical variants in the six manuscripts transmitting the complet...
The poet and composer Guillaume de Machaut is unique in the fourteenth century for his massive compl...
Niniejsza praca o tytule "Sztuka słowa i sztuki muzyki w wybranych balladach Wilhelma z Machaut" skł...
Machaut’s seventeenth motet might be one of his earliest works. Under its simple appearance it hides...
This collection is the first full-length literary study on Machaut, France’s leading poet and musici...
Analysis of the poetry of Guillaume de Machaut's lais reveals that a surprisingly large number of m...