This article presents pan of my research on a type of electronic music known as Japanese noise carried out for my Honors Thesis in Music, Creating Silence through Noise: an Aesthetic Approach to the Sounds of Japanese noise . It introduces Japanese noise, its origins in the 1970s and 1980s, its musical influences, and the early distribution of its pieces. The first generation of Japanese noise artists and their perceptions of Tokyo are then discussed. Finally, the possibility is advanced of a correlation between such perceptions of the city and the sounds of Japanese noise
AbstractThis article describes a specific history of technological mediation in the circulation of p...
Can noise music fans tell us about benignly masochistic art and how sound becomes music? Noise music...
This paper focuses on the narratives and embodiment of noisemakers in noise complaints in a small to...
Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects,...
Contemporary Japan is loud. Many scholars have argued that the Japanese have a cultural propensity t...
Contemporary Japan is loud. Many scholars have argued that the Japanese have a cultural propensity t...
Modernist musicological discourse is flush with talk of “the musical material,” a rhetorical figure ...
PhD ThesisIn recent years noise has gained theoretical momentum as a concept used to consider the c...
Emerging at the intersection of industrial, punk, electronic music, and avant-garde jazz, noise musi...
W pracy zostaje podjęty temat szumu i hałasu, jak również muzyki, którą określa się terminem „noise”...
Sound is something to be thought about critically. It is not just a part of our world, but it helps ...
A genre label of 'Noise Music' or 'Noise' has emerged over the last two decades and become an increa...
The article considers the noise as the most important category of media culture, its ontology and gn...
The article discusses the intricate relationship between sound and signification through notions of ...
KIMA: Noise is a participatory art piece inviting audiences to explore impact of urban noises intera...
AbstractThis article describes a specific history of technological mediation in the circulation of p...
Can noise music fans tell us about benignly masochistic art and how sound becomes music? Noise music...
This paper focuses on the narratives and embodiment of noisemakers in noise complaints in a small to...
Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects,...
Contemporary Japan is loud. Many scholars have argued that the Japanese have a cultural propensity t...
Contemporary Japan is loud. Many scholars have argued that the Japanese have a cultural propensity t...
Modernist musicological discourse is flush with talk of “the musical material,” a rhetorical figure ...
PhD ThesisIn recent years noise has gained theoretical momentum as a concept used to consider the c...
Emerging at the intersection of industrial, punk, electronic music, and avant-garde jazz, noise musi...
W pracy zostaje podjęty temat szumu i hałasu, jak również muzyki, którą określa się terminem „noise”...
Sound is something to be thought about critically. It is not just a part of our world, but it helps ...
A genre label of 'Noise Music' or 'Noise' has emerged over the last two decades and become an increa...
The article considers the noise as the most important category of media culture, its ontology and gn...
The article discusses the intricate relationship between sound and signification through notions of ...
KIMA: Noise is a participatory art piece inviting audiences to explore impact of urban noises intera...
AbstractThis article describes a specific history of technological mediation in the circulation of p...
Can noise music fans tell us about benignly masochistic art and how sound becomes music? Noise music...
This paper focuses on the narratives and embodiment of noisemakers in noise complaints in a small to...