Several of Plato\u27s dialogues seem to question the moral and epistemic value of image-making. Yet Plato\u27s own word-images are powerful and alluring. I reconsider a conception of Platonic metaphysics in which the visible is denigrated relative to the purely intelligible, and in which only the latter can be an avenue to philosophical enlightenment. Viewing the apparent criticisms of image-making in the context of Plato\u27s own use of images, I argue that his use of images can and does lead to philosophical enlightenment and that images are necessary, in addition to logico-deductive reasoning, because of human limitation
The world of the Platonic teaching is a realm of changelessness for a heart saddened by the sp...
An inquiry about the relation of physics, metaphysics and image production in Plato, where the quest...
Plato’s statements on art have met with countless commentators and almost as many different interpre...
It is increasingly recognized in the literature that Plato’s critique of the poets for their use of ...
Images and imagination are both epistemologically and politically significant in the image of the di...
Plato taught us that the image, as a matter of principle, cannot be the truth. It is well-known that...
Contemporary aesthetic theory is embedded in a culture dominated by images, and so would seem to req...
Plato [ca. 427-347 BC], a citizen of ancient Athens wrote dialogues not only for philosophically tra...
A crucial application of Plato’s views on the use of images in philosophy occurs through the use of ...
Der Aufsatz thematisiert das Verhältnis zwischen Platons Dichtungskritik in Politeia und der auf den...
Plato's entire body of work has survived intact to this day, decisively influencing Western culture....
Plato's philosophy is in line with the pre-Socratics, sophists and artistic traditions that underlie...
This paper explores the possibility of a cohesive philosophy that recognizes both Plato’s concern ab...
Epistêmê cannot just be a matter of knowing a logos. Knowledge, it appears, is demonstrated not in t...
Traditional interpretations of Plato see him either as an enemy of the imagination in his views of p...
The world of the Platonic teaching is a realm of changelessness for a heart saddened by the sp...
An inquiry about the relation of physics, metaphysics and image production in Plato, where the quest...
Plato’s statements on art have met with countless commentators and almost as many different interpre...
It is increasingly recognized in the literature that Plato’s critique of the poets for their use of ...
Images and imagination are both epistemologically and politically significant in the image of the di...
Plato taught us that the image, as a matter of principle, cannot be the truth. It is well-known that...
Contemporary aesthetic theory is embedded in a culture dominated by images, and so would seem to req...
Plato [ca. 427-347 BC], a citizen of ancient Athens wrote dialogues not only for philosophically tra...
A crucial application of Plato’s views on the use of images in philosophy occurs through the use of ...
Der Aufsatz thematisiert das Verhältnis zwischen Platons Dichtungskritik in Politeia und der auf den...
Plato's entire body of work has survived intact to this day, decisively influencing Western culture....
Plato's philosophy is in line with the pre-Socratics, sophists and artistic traditions that underlie...
This paper explores the possibility of a cohesive philosophy that recognizes both Plato’s concern ab...
Epistêmê cannot just be a matter of knowing a logos. Knowledge, it appears, is demonstrated not in t...
Traditional interpretations of Plato see him either as an enemy of the imagination in his views of p...
The world of the Platonic teaching is a realm of changelessness for a heart saddened by the sp...
An inquiry about the relation of physics, metaphysics and image production in Plato, where the quest...
Plato’s statements on art have met with countless commentators and almost as many different interpre...