This paper examines the impact of financial and socio-economic factors on repertoire decisions of the grant-aided, non-profit theatre sector in England using cross-sectional regression analysis for the seasons 1996/97 to 1998/99. The dependent variable, a conventionality index, a variant of the DiMaggio/Stenberg conformity index, is calculated first. This shows a very considerable variation in repertoire conventionality, so measured, in the non-profit English theatre sector. A model is then constructed to assess the impact of the above-mentioned factors in determining variations in this index using a dataset hitherto not analysed in this way. The empirical results show that public subsidy, the size and the location of a theatre as well as t...
This article examines public subsidies and ticket pricing in Finnish theatre institutions by using t...
and other contextual factors (such as tourists flows and territorial area). In contrast, theatre sup...
Despite the increasing number of music compositions by living composers, non-profit opera houses are...
THESIS 7508This thesis studies repertoire diversity and its possible determinants in non-profit thea...
This paper empirically analyzes the impact of several factors on a ‘conventionality index’ in the sp...
THESIS 8484This research work investigates the relation between the State, the performing arts organ...
The purpose of this paper is to test the sensitivity of theatre attendance in Germany to a number of...
This article explores the measurement of the production technology and efficiency of the performing ...
THESIS 8486The purpose of this thesis is to analyse the production technology and the economic deter...
Theatre in Britain operates in a market economy with finance from both private and public sectors. S...
This paper examines theatre participation in Italy over the period 1995–2006. Explanatory variables ...
This article explores the reasons for the current dominance of the nonprofit form in the high-cultur...
The research is part of a wider research problem, whose aim is to find an optimal financing model fo...
In these uncertain times regional producing theatres, historically subordinate to the metropolitan e...
We analyse programmatic choices of Flemish theatres and examine how they are affected by the theatre...
This article examines public subsidies and ticket pricing in Finnish theatre institutions by using t...
and other contextual factors (such as tourists flows and territorial area). In contrast, theatre sup...
Despite the increasing number of music compositions by living composers, non-profit opera houses are...
THESIS 7508This thesis studies repertoire diversity and its possible determinants in non-profit thea...
This paper empirically analyzes the impact of several factors on a ‘conventionality index’ in the sp...
THESIS 8484This research work investigates the relation between the State, the performing arts organ...
The purpose of this paper is to test the sensitivity of theatre attendance in Germany to a number of...
This article explores the measurement of the production technology and efficiency of the performing ...
THESIS 8486The purpose of this thesis is to analyse the production technology and the economic deter...
Theatre in Britain operates in a market economy with finance from both private and public sectors. S...
This paper examines theatre participation in Italy over the period 1995–2006. Explanatory variables ...
This article explores the reasons for the current dominance of the nonprofit form in the high-cultur...
The research is part of a wider research problem, whose aim is to find an optimal financing model fo...
In these uncertain times regional producing theatres, historically subordinate to the metropolitan e...
We analyse programmatic choices of Flemish theatres and examine how they are affected by the theatre...
This article examines public subsidies and ticket pricing in Finnish theatre institutions by using t...
and other contextual factors (such as tourists flows and territorial area). In contrast, theatre sup...
Despite the increasing number of music compositions by living composers, non-profit opera houses are...