Includes bibliographical references (pages [92]-95)In this study, male violence against women as well as female violence will be investigated to explore the female characters in the works of Marsha Norman and of Maria Irene Fornes, two of the most distinguished contemporary American women playwrights. The plays analyzed are: Getting Out and 'night. Mother by Norman, Fefu and Her Friends and The Conduct of Life by Fornes. Male violence against women, one of the major issues among feminists, is interpreted as a form of structural violence, which refers to the organized institutional and structural patterning of the family and the economic, cultural and political systems that determine that some individuals shall be victimized and be rendered ...
An extraordinary complexity characterizes the encounter between theatre, mythology, and human rights...
The purpose of this paper is to examine the play "Ruined" by Lynn Nottage and its portrayal of women...
This article explores the representations of violence in Susan Glaspell’s play first produced by the...
As an Actor Combatant with the Society of American Fight Directors, theatrical violence is something...
The study reveals women self-directed oppression in Maria Irenes’ plays Fefu and her friends, The Co...
The aim of my thesis is to investigate the various modes and ways that women attempt to escape from...
Thesis (M.A., Theatre Arts) -- California State University, Sacramento, 2010.This thesis focuses on ...
In this study, I examine the dramatization of violence against the female body in contemporary drama...
During the 1970s, and especially during the 1980s and 1990s, gender violence began to receive the at...
This examination focuses on an investigation of playwright Maria Irene Fornes' repertoire, in the co...
This study is a feminist-based reading of three of William Shakespeares works: Othello, Much Ado Abo...
While the role of violence in the works of male American playwrights has been widely explored, most ...
During the 1970s, and especially during the 1980s and 1990s, gender violence began to receive the at...
This paper will attempt to prove that the American playwright Marsha Norman uses the American stage ...
There are numerous examples in which the female characters in William Shakespeare’s plays go against...
An extraordinary complexity characterizes the encounter between theatre, mythology, and human rights...
The purpose of this paper is to examine the play "Ruined" by Lynn Nottage and its portrayal of women...
This article explores the representations of violence in Susan Glaspell’s play first produced by the...
As an Actor Combatant with the Society of American Fight Directors, theatrical violence is something...
The study reveals women self-directed oppression in Maria Irenes’ plays Fefu and her friends, The Co...
The aim of my thesis is to investigate the various modes and ways that women attempt to escape from...
Thesis (M.A., Theatre Arts) -- California State University, Sacramento, 2010.This thesis focuses on ...
In this study, I examine the dramatization of violence against the female body in contemporary drama...
During the 1970s, and especially during the 1980s and 1990s, gender violence began to receive the at...
This examination focuses on an investigation of playwright Maria Irene Fornes' repertoire, in the co...
This study is a feminist-based reading of three of William Shakespeares works: Othello, Much Ado Abo...
While the role of violence in the works of male American playwrights has been widely explored, most ...
During the 1970s, and especially during the 1980s and 1990s, gender violence began to receive the at...
This paper will attempt to prove that the American playwright Marsha Norman uses the American stage ...
There are numerous examples in which the female characters in William Shakespeare’s plays go against...
An extraordinary complexity characterizes the encounter between theatre, mythology, and human rights...
The purpose of this paper is to examine the play "Ruined" by Lynn Nottage and its portrayal of women...
This article explores the representations of violence in Susan Glaspell’s play first produced by the...