In this study, I seek to explore the poetical and musical language of the cantata genre of Baroque secular vocal music. The focus is on Italian poetry and music of the Seicento (1600s) with a particular focus on the works of Barbara Strozzi, who was a prominent female composer of the time. I will examine the poetry that Strozzi used in her compositions from a socio-historical standpoint, which will enable a better understanding of how the poetry was written and why the poetry was written in that manner. I will also examine Strozzi’s personal compositional style through the way she set the poetry
Late 16th- and early 17th-century Italian theatrical works (with or without music) based on the Book...
The seventeenth century was a period of significant innovations and developments in music theory, v...
The aim of the article is to determine the role of the composer Francesca Caccini in the Italian mus...
This dissertation seeks to close the gaps in research on Barbara Strozzi by presenting modern transc...
In 1655, Barbara Strozzi issued her fifth and only sacred opus, the Sacri musicali affetti, a print ...
This study develops three themes. It sketches a cultural history of Rome from approximately 1620 to ...
Este projeto aborda de forma crítica e interdisciplinar os lamentos da compositora do seicento itali...
The focus of the current study is the use of form in the collection of Vespers music by Chiara Marga...
The Neapolitan poet Giambattista Marino made a major impact on the history of Italian music in the e...
The metaphor of marriage is often used to describe the relationship between poetry and music in both...
Pietro Bembo, poet e literate born in Venice, publishes in 1525 his main work Prose della volgar lin...
The early decades of the seventeenth century saw an important aesthetic shift in Italian secular mus...
This dissertation presents a previously unedited text by one of the most distinguished- yet neglecte...
For the past few decades, there has been a marked rise of interest and advocacy in music composed by...
O del mio dolce ardor by Christoph Willibald Gluck (1714–1787), Poetry by Ranieri de’ Calzabigi (171...
Late 16th- and early 17th-century Italian theatrical works (with or without music) based on the Book...
The seventeenth century was a period of significant innovations and developments in music theory, v...
The aim of the article is to determine the role of the composer Francesca Caccini in the Italian mus...
This dissertation seeks to close the gaps in research on Barbara Strozzi by presenting modern transc...
In 1655, Barbara Strozzi issued her fifth and only sacred opus, the Sacri musicali affetti, a print ...
This study develops three themes. It sketches a cultural history of Rome from approximately 1620 to ...
Este projeto aborda de forma crítica e interdisciplinar os lamentos da compositora do seicento itali...
The focus of the current study is the use of form in the collection of Vespers music by Chiara Marga...
The Neapolitan poet Giambattista Marino made a major impact on the history of Italian music in the e...
The metaphor of marriage is often used to describe the relationship between poetry and music in both...
Pietro Bembo, poet e literate born in Venice, publishes in 1525 his main work Prose della volgar lin...
The early decades of the seventeenth century saw an important aesthetic shift in Italian secular mus...
This dissertation presents a previously unedited text by one of the most distinguished- yet neglecte...
For the past few decades, there has been a marked rise of interest and advocacy in music composed by...
O del mio dolce ardor by Christoph Willibald Gluck (1714–1787), Poetry by Ranieri de’ Calzabigi (171...
Late 16th- and early 17th-century Italian theatrical works (with or without music) based on the Book...
The seventeenth century was a period of significant innovations and developments in music theory, v...
The aim of the article is to determine the role of the composer Francesca Caccini in the Italian mus...