Three participants in the panel “Curatorial Practice as Production of Visual and Spatial Knowledge” reflect upon the ideas raised in their discussion about curating, both in their respective fields and as a general practice. The panel was a part of Debating Visual Knowledge, a symposium organized by graduate students in Information Science and History of Art and Architecture at the University of Pittsburgh, October 3–5, 2014. A transcription of the panel is available in this issue
"Today curators are sometimes more famous than the artists whose work they curate, and curatorship i...
Our table hosts Beatrice von Bismarck (Academy of Visual Arts Leipzig) and Menno Fitski (Rijksmuseum...
In this thesis I look at the artist-curator collaboration as a creative practice, focusing on curati...
Three participants in the panel “Curatorial Practice as Production of Visual and Spatial Knowledge” ...
The following is a transcription of a conversation between curators of art, science, and digital dat...
The following is a transcription of a conversation between curators of art, science, and digital da...
Increasingly, artists are curating greater numbers of exhibitions internationally. This panel explor...
Chapter considers our roles as artists and educators whose engagement with museums takes multiple fo...
My research explores whether and in what ways curatorial practices assume a social function. By anal...
This publication is the full record (including papers, organizers' commentaries, and discussions tra...
Conference session text on curatorial knowledge.Despite the surge of interest in knowledge productio...
This book comprises twenty eight essays by leading experts in contemporary art on the difference bet...
Curating Knowledge aims to generate a discursive platform that highlights the links between research...
This panel, co-sponsored by ASIS&T SIG-VIS (Visualization, Images, & Sound) and SIG-DL (Digital Libr...
This presentation discussed recent changes in the curatorial practice and the public image of the ...
"Today curators are sometimes more famous than the artists whose work they curate, and curatorship i...
Our table hosts Beatrice von Bismarck (Academy of Visual Arts Leipzig) and Menno Fitski (Rijksmuseum...
In this thesis I look at the artist-curator collaboration as a creative practice, focusing on curati...
Three participants in the panel “Curatorial Practice as Production of Visual and Spatial Knowledge” ...
The following is a transcription of a conversation between curators of art, science, and digital dat...
The following is a transcription of a conversation between curators of art, science, and digital da...
Increasingly, artists are curating greater numbers of exhibitions internationally. This panel explor...
Chapter considers our roles as artists and educators whose engagement with museums takes multiple fo...
My research explores whether and in what ways curatorial practices assume a social function. By anal...
This publication is the full record (including papers, organizers' commentaries, and discussions tra...
Conference session text on curatorial knowledge.Despite the surge of interest in knowledge productio...
This book comprises twenty eight essays by leading experts in contemporary art on the difference bet...
Curating Knowledge aims to generate a discursive platform that highlights the links between research...
This panel, co-sponsored by ASIS&T SIG-VIS (Visualization, Images, & Sound) and SIG-DL (Digital Libr...
This presentation discussed recent changes in the curatorial practice and the public image of the ...
"Today curators are sometimes more famous than the artists whose work they curate, and curatorship i...
Our table hosts Beatrice von Bismarck (Academy of Visual Arts Leipzig) and Menno Fitski (Rijksmuseum...
In this thesis I look at the artist-curator collaboration as a creative practice, focusing on curati...