International audienceIn this study we aimed at determining statistical models that allowed for the classification of impact sounds according to the perceived material (Wood, Metal and Glass). For that purpose, everyday life sounds were recorded, analyzed and resynthesized to insure the generation of realistic souds. Listening tests were conducted to define sets of typical sounds of each material category. For the construction of statistical models, acoustic descriptors known to be relevant for timbre perception and for material identification were inverstigated. These models were calibrated and validated using a binary logistic regression method. A discussion about the applications of these results in the context of sound synthesis conclud...
Abstract. The aim of this work is to use subjective evaluations of sounds produced by a piano synthe...
In this paper, we propose a methodology associating an analysis-synthesis process and a perceptual c...
<p>While many psychoacoustic studies have found that listeners can recover some causal properties of...
OR 20In this study, we aimed at determining statistical models that allowed for the classification o...
ln this study, we aimed at determining statistical models that allowed for the classification of imp...
International audienceIn this study we aimed at determining statistical models that allowed for the ...
In this paper, timbre perception of sounds from 3 different impacted materials (Wood, Metal and Glas...
The auditory perception of materials is a popular topic in the study of non-vocal sound-source perce...
Identification of the material of struck objects of variable size was investigated. Previous studies...
Two experiments are reported in which subjects identified the perceived material of synthetic impact...
OR 20International audienceXylophone sounds produced by striking wooden bars with a mallet are stron...
Note:Sounds convey information about the materials composing an object. Stimuli were synthesized usi...
This technical report describes steps toward synthesis of environmental sounds like impact, bouncing...
This article presents a sound synthesis model reproducing impact sounds from a perceptual point of v...
In this paper we investigated which categories of product sounds listeners can distinguish. We explo...
Abstract. The aim of this work is to use subjective evaluations of sounds produced by a piano synthe...
In this paper, we propose a methodology associating an analysis-synthesis process and a perceptual c...
<p>While many psychoacoustic studies have found that listeners can recover some causal properties of...
OR 20In this study, we aimed at determining statistical models that allowed for the classification o...
ln this study, we aimed at determining statistical models that allowed for the classification of imp...
International audienceIn this study we aimed at determining statistical models that allowed for the ...
In this paper, timbre perception of sounds from 3 different impacted materials (Wood, Metal and Glas...
The auditory perception of materials is a popular topic in the study of non-vocal sound-source perce...
Identification of the material of struck objects of variable size was investigated. Previous studies...
Two experiments are reported in which subjects identified the perceived material of synthetic impact...
OR 20International audienceXylophone sounds produced by striking wooden bars with a mallet are stron...
Note:Sounds convey information about the materials composing an object. Stimuli were synthesized usi...
This technical report describes steps toward synthesis of environmental sounds like impact, bouncing...
This article presents a sound synthesis model reproducing impact sounds from a perceptual point of v...
In this paper we investigated which categories of product sounds listeners can distinguish. We explo...
Abstract. The aim of this work is to use subjective evaluations of sounds produced by a piano synthe...
In this paper, we propose a methodology associating an analysis-synthesis process and a perceptual c...
<p>While many psychoacoustic studies have found that listeners can recover some causal properties of...