Add to ORKGThe use of color in cinema involves explanations and associations at different levels: (1) the physical, in the way that color can affect the viewer giving him/her a more or less pleasing feeling; (2) the psychological, because color can stimulate psychological responses; and (3) the aesthetic, because colors can be chosen selectively according to the effect they can produce, considering their balance, proportion and composition within the film. This article will consider these three characteristics of color and some film examples, in order to discuss about the role of color in cinemaNão const
Colour grading has enabled cinematographers to more accurately convey their visions to audiences sin...
Starting from an analysis of the symbolism attributed to black and white in symbiosis with color, we...
International audienceIn this paper, I propose a brief overview on the use of color in theatre and f...
The use of color in cinema involves explanations and associations at different levels: (1) the physi...
abstract: Every color that you see in film is purposely chosen by the filmmakers. The majority of fi...
A great number of different views regarding realism has been in evidence. Whether greater realism in...
The paper deals with the visual composition of color and applying it to the art of cinema, highlight...
The purpose of the research is to analyze the perception of color by the viewer and to establish the...
Film scholars in recent years have identified a differentiated landscape of color systems in terms o...
Cinema faces a critical age for reformulating its ontological basis. Competing with television ficti...
This thesis explores the use of colour as a narrative tool within the realm of cinema. Even though c...
Since the earliest days of cinema, film has been a colorful medium and art form. More than 230 film ...
This essay explores how color can be used as a creative tool for filmmakers. Colors can be used to e...
In Color : A Practical Guide to Color and Its Uses in Art, the author states that, “More than any ot...
This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the co...
Colour grading has enabled cinematographers to more accurately convey their visions to audiences sin...
Starting from an analysis of the symbolism attributed to black and white in symbiosis with color, we...
International audienceIn this paper, I propose a brief overview on the use of color in theatre and f...
The use of color in cinema involves explanations and associations at different levels: (1) the physi...
abstract: Every color that you see in film is purposely chosen by the filmmakers. The majority of fi...
A great number of different views regarding realism has been in evidence. Whether greater realism in...
The paper deals with the visual composition of color and applying it to the art of cinema, highlight...
The purpose of the research is to analyze the perception of color by the viewer and to establish the...
Film scholars in recent years have identified a differentiated landscape of color systems in terms o...
Cinema faces a critical age for reformulating its ontological basis. Competing with television ficti...
This thesis explores the use of colour as a narrative tool within the realm of cinema. Even though c...
Since the earliest days of cinema, film has been a colorful medium and art form. More than 230 film ...
This essay explores how color can be used as a creative tool for filmmakers. Colors can be used to e...
In Color : A Practical Guide to Color and Its Uses in Art, the author states that, “More than any ot...
This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the co...
Colour grading has enabled cinematographers to more accurately convey their visions to audiences sin...
Starting from an analysis of the symbolism attributed to black and white in symbiosis with color, we...
International audienceIn this paper, I propose a brief overview on the use of color in theatre and f...