Add to ORKGThis paper will examine one area of Mozart's work, the Singspiele. This study is an analysis of the principal tenor roles of Mozart's Singspiele. The organization for analyzing these works conforms to three periods in Mozart's life. (1) Childhood and Early Youth, to 1774; (2) The Period of the First Masterworks, 1774-1781; and (3) The Years in Vienna, 1781-1791. Related biographical data and historical background have been utilized in discussing each work. Because the Singspiele is a musical composition, analyses will consider music as the major source of development, using plot and character wholly as supporting features
This study has two divisions: Part I, an historical and analytical summary of the emergence and deve...
This dissertation will investigate the use of wind instruments in the operas of Wolfgang Amadeus Moz...
This article is about the history and the features of KV 622 Clarinet Concerto of W.A. Mozart who wa...
It has long been recognized that the music of Mozart’s Singspiels bears more dramatic weight than th...
It has long been recognized that the music of Mozart’s Singspiels bears more dramatic weight than th...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
The purpose of this study was to create a document which would provide a variety of insights into Mo...
This paper provides a brief background on the development of Singspiel and analyzes in detail the Ov...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
The role of Figaro, from “The Marriage of Figaro< composed by Mozart, was studied in various aspects...
This study examines the conventions of organization and style in the finales of opere buffe written ...
This study examines the conventions of organization and style in the finales of opere buffe written ...
Although the term “concert aria” is a later scholarly appellation applied after Mozart’s lifetime to...
This thesis investigates the processes through which the characters and their relationship, and the ...
Subject of this Master´s thesis is analysis and vocal characterization of female roles in the opera ...
This study has two divisions: Part I, an historical and analytical summary of the emergence and deve...
This dissertation will investigate the use of wind instruments in the operas of Wolfgang Amadeus Moz...
This article is about the history and the features of KV 622 Clarinet Concerto of W.A. Mozart who wa...
It has long been recognized that the music of Mozart’s Singspiels bears more dramatic weight than th...
It has long been recognized that the music of Mozart’s Singspiels bears more dramatic weight than th...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
The purpose of this study was to create a document which would provide a variety of insights into Mo...
This paper provides a brief background on the development of Singspiel and analyzes in detail the Ov...
W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for ...
The role of Figaro, from “The Marriage of Figaro< composed by Mozart, was studied in various aspects...
This study examines the conventions of organization and style in the finales of opere buffe written ...
This study examines the conventions of organization and style in the finales of opere buffe written ...
Although the term “concert aria” is a later scholarly appellation applied after Mozart’s lifetime to...
This thesis investigates the processes through which the characters and their relationship, and the ...
Subject of this Master´s thesis is analysis and vocal characterization of female roles in the opera ...
This study has two divisions: Part I, an historical and analytical summary of the emergence and deve...
This dissertation will investigate the use of wind instruments in the operas of Wolfgang Amadeus Moz...
This article is about the history and the features of KV 622 Clarinet Concerto of W.A. Mozart who wa...