This collection of six anthems for various combinations of voices employs a figured continuo accompaniment. Instrumental interludes labeled "symphonies" can also be found interspersed among the choral selections. Though the music cites no particular scriptural passages, the text seems inspired by - if not directly derived from - the Bible
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Orpheus britannicus]Appartient à l’ensemb...
Voluntary in G (Purcell, Henry); Alleluia (Schütz, Heinrich); Concord (Britten, Benjamin); Voluntary...
Accompaniment arranged for piano.The motets have Latin words.One number for solo voice with accompan...
Includes historical and editorial notes and critical commentary.Words from the Psalms, other Biblica...
This is the third volume of a five-volume anthology featuring arias and songs from various oratorios...
Historical and editorial notes, and criticial commentary, on p. [i]-viii.Words principally from the ...
For mixed chorus and organ. --- First preces in F -- Second preces in G -- Venite exultemus in F -- ...
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Anthems. 1 à 10 voix, basse continue]Appa...
The development of the verse anthem with strings in Restoration England has been thoroughly research...
Includes indexes."Elements of vocal music" by Lowell Mason: p. 4-24.Principally for four-part mixed ...
Although the English anthem was the primary form of sacred composition in England during the Renaiss...
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Orpheus britannicus]Appartient à l’ensemb...
Voluntary in G (Purcell, Henry); Alleluia (Schütz, Heinrich); Concord (Britten, Benjamin); Voluntary...
For solo voices (SAA) and organ.; Also available online http://nla.gov.au/nla.mus-vn1265364
This is an original composition for Soprano and Tenor in the form of a nine-song song-cycle using se...
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Orpheus britannicus]Appartient à l’ensemb...
Voluntary in G (Purcell, Henry); Alleluia (Schütz, Heinrich); Concord (Britten, Benjamin); Voluntary...
Accompaniment arranged for piano.The motets have Latin words.One number for solo voice with accompan...
Includes historical and editorial notes and critical commentary.Words from the Psalms, other Biblica...
This is the third volume of a five-volume anthology featuring arias and songs from various oratorios...
Historical and editorial notes, and criticial commentary, on p. [i]-viii.Words principally from the ...
For mixed chorus and organ. --- First preces in F -- Second preces in G -- Venite exultemus in F -- ...
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Anthems. 1 à 10 voix, basse continue]Appa...
The development of the verse anthem with strings in Restoration England has been thoroughly research...
Includes indexes."Elements of vocal music" by Lowell Mason: p. 4-24.Principally for four-part mixed ...
Although the English anthem was the primary form of sacred composition in England during the Renaiss...
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Orpheus britannicus]Appartient à l’ensemb...
Voluntary in G (Purcell, Henry); Alleluia (Schütz, Heinrich); Concord (Britten, Benjamin); Voluntary...
For solo voices (SAA) and organ.; Also available online http://nla.gov.au/nla.mus-vn1265364
This is an original composition for Soprano and Tenor in the form of a nine-song song-cycle using se...
Titre uniforme : Purcell, Henry (1659-1695). Compositeur. [Orpheus britannicus]Appartient à l’ensemb...
Voluntary in G (Purcell, Henry); Alleluia (Schütz, Heinrich); Concord (Britten, Benjamin); Voluntary...
Accompaniment arranged for piano.The motets have Latin words.One number for solo voice with accompan...