The present study makes available a modern performing edition of an eighteenth-centyry clarinet concerto. Written by the Mannheim oboist and composer Ludwig August Lebrun, the Concerto in B-flat for solo clarinet and orchestra has existed solely as a set of manuscript parts for over 200 years. The following chapters present biographical information on Ludwig August Lebrun as an oboist and composer of the late eighteenth century, the historical background of Lebrun's Concerto in B-flat. a thematic and harmonic analysis of the concerto's three movements, and a summary of the procedures followed in preparing the present edition of orchestral parts and piano reduction. Contemporaneous sources which provided pertinent performance practice inform...
The chamber music of Charles Ives is largely underrepresented in modern performance. This study has ...
includes recorded audio files in WAV and MP3 formats, 81:30 in length.Perhaps the most rewarding por...
The lecture was given on July 27th, 1981. The discussion dealt with two anonymous eighteenth-century...
The purpose of the article is to analyse the orchestration of the First Oboe Concerto by L. Lebrun i...
The concertos of Michel Yost, a Parisian clarinet virtuoso who lived from 1754 to 1786, illustrate a...
French composer Eugene Bozza (1905-1991) has made significant contributions to the repertoire of win...
This document is designed to accompany the writer's Lecture-Recital performed on June 6, 1983. It pr...
This article is about the history and the features of KV 622 Clarinet Concerto of W.A. Mozart who wa...
The rediscovery of the Sing-Akademie of Berlin manuscript collection in Kiev and its eventual repatr...
This doctoral thesis investigates the historical, musical and sociological development of the clarin...
The bachelor thesis is focused on Mozart´s concert for clarinet (K. 622) and related events, such as...
This thesis presents a performance edition of four bassoon pieces by Gotthelf Heinrich Kummer (1774-...
The Concerto for Trombone, written in 1763 by Georg Christoph Wagenseil, is a piece in 2 movements f...
Includes bibliographical references (page 24)The clarinet concerto of Jean Fran??aix, a French Neo-c...
It is the purpose of this thesis to present a study of music written for the clarinet during the per...
The chamber music of Charles Ives is largely underrepresented in modern performance. This study has ...
includes recorded audio files in WAV and MP3 formats, 81:30 in length.Perhaps the most rewarding por...
The lecture was given on July 27th, 1981. The discussion dealt with two anonymous eighteenth-century...
The purpose of the article is to analyse the orchestration of the First Oboe Concerto by L. Lebrun i...
The concertos of Michel Yost, a Parisian clarinet virtuoso who lived from 1754 to 1786, illustrate a...
French composer Eugene Bozza (1905-1991) has made significant contributions to the repertoire of win...
This document is designed to accompany the writer's Lecture-Recital performed on June 6, 1983. It pr...
This article is about the history and the features of KV 622 Clarinet Concerto of W.A. Mozart who wa...
The rediscovery of the Sing-Akademie of Berlin manuscript collection in Kiev and its eventual repatr...
This doctoral thesis investigates the historical, musical and sociological development of the clarin...
The bachelor thesis is focused on Mozart´s concert for clarinet (K. 622) and related events, such as...
This thesis presents a performance edition of four bassoon pieces by Gotthelf Heinrich Kummer (1774-...
The Concerto for Trombone, written in 1763 by Georg Christoph Wagenseil, is a piece in 2 movements f...
Includes bibliographical references (page 24)The clarinet concerto of Jean Fran??aix, a French Neo-c...
It is the purpose of this thesis to present a study of music written for the clarinet during the per...
The chamber music of Charles Ives is largely underrepresented in modern performance. This study has ...
includes recorded audio files in WAV and MP3 formats, 81:30 in length.Perhaps the most rewarding por...
The lecture was given on July 27th, 1981. The discussion dealt with two anonymous eighteenth-century...