This thesis presents an analysis of Copland's first major serial work, the Quartet for Piano and Strings (1950), using pitch-class set theory and tonal analytical techniques
The moderato of Bartók\u27s Second String Quartet is a lucid and eloquent sonata form that conforms ...
This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution...
In Appalachian Spring, Aaron Copland creates a unique tonal environment. Although often considered a...
The analytical literature posits a dichotomy between Copland’s “popular” and “serious” music. Despi...
Zoltán Kodály’s String Quartet No. 1 in C Minor is one of his earliest compositions. Kodály composed...
Twelve-tone music illustrates many characteristics relative with those of conventional tonal form, t...
Despite his commitment to reaching a wide audience, shown in such populist ballets as Billy the Kid ...
This study develops a method for analyzing jazz piano music, primarily focusing on the era 1935-1950...
Surveys scholarly views of jazz\u27s rhythmic and metrical structures in the 1920s (at the outset of...
In 1917, at the peak of the most productive period of his creative life, the Polish composer Karol S...
Este trabalho consiste em investigar as tendências pandiatônicas na obra "Preamble for a Solemn Occa...
Aaron Copland’s Quiet City (1940), a one-movement work for trumpet, cor anglais, and strings, derive...
Nikolai Andreevich Roslavets (1881-1944) is a unique figure in Russian avant-garde musical developm...
Aaron Copland has been in the forefront of the American musical scene since the 1920s. He has been c...
This dissertation explores the application of polymodality through contrapuntal and homophonic means...
The moderato of Bartók\u27s Second String Quartet is a lucid and eloquent sonata form that conforms ...
This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution...
In Appalachian Spring, Aaron Copland creates a unique tonal environment. Although often considered a...
The analytical literature posits a dichotomy between Copland’s “popular” and “serious” music. Despi...
Zoltán Kodály’s String Quartet No. 1 in C Minor is one of his earliest compositions. Kodály composed...
Twelve-tone music illustrates many characteristics relative with those of conventional tonal form, t...
Despite his commitment to reaching a wide audience, shown in such populist ballets as Billy the Kid ...
This study develops a method for analyzing jazz piano music, primarily focusing on the era 1935-1950...
Surveys scholarly views of jazz\u27s rhythmic and metrical structures in the 1920s (at the outset of...
In 1917, at the peak of the most productive period of his creative life, the Polish composer Karol S...
Este trabalho consiste em investigar as tendências pandiatônicas na obra "Preamble for a Solemn Occa...
Aaron Copland’s Quiet City (1940), a one-movement work for trumpet, cor anglais, and strings, derive...
Nikolai Andreevich Roslavets (1881-1944) is a unique figure in Russian avant-garde musical developm...
Aaron Copland has been in the forefront of the American musical scene since the 1920s. He has been c...
This dissertation explores the application of polymodality through contrapuntal and homophonic means...
The moderato of Bartók\u27s Second String Quartet is a lucid and eloquent sonata form that conforms ...
This item was digitized from a paper original and/or a microfilm copy. If you need higher-resolution...
In Appalachian Spring, Aaron Copland creates a unique tonal environment. Although often considered a...