Add to ORKGThe emphasis of this research is on the social, economic, and cultural factors generating the New Taiwan Cinema between 1982 to 1986. The study consists of four chapters. Chapter I introduces the background and parameters of the topic. Chapter II discusses the factors which nurtured the rise of New Taiwan Cinema. It also provides historical background information on Taiwanese films. Chapter III discusses the definition and characteristics of New Taiwan Cinema and its major filmmakers and films. Chapter IV focuses on the issue of the end of New Taiwan Cinema. This chapter also covers the general situation of the Taiwanese film industry after 1986
[[abstract]]Being deemed as a tendency, even the third revolution of the cinema, digital cinema is o...
Introduction to the film for the audience of KASKcinema, as part of the workings of Film-Plateau.sta...
This study is about the development of the Chinese movie industry through the economic and political...
In many ways there could not be a more fascinating method to investigate how Taiwan's Chinese Nation...
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden a...
Includes bibliographical references (page 88)Because of China's distinctive historical background, t...
Taiwan New Cinema continued for a long period, from 1982 when did appear In Our Time, a anthology fi...
Kuei-fen Chiu, Ming-yeh Rawnsley, Gary Rawnsle (eds.), Taiwan Cinema, International Reception and So...
Although film music research has been on the rise over the last decade, most research has focused on...
In the 1980s, a revamped film industry in Taiwan produced a number of international acclaimed films,...
This thesis explores the historical informal distribution of art cinema in Taiwan from 1986 to 2016....
Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital ...
This chapter aims to map out multifaceted transnationality vis-à-vis a consideration of the national...
This dissertation focuses on Healthy Realist Film Movement (jiankang xieshi dianying) and its influe...
The goal of the thesis is to compare the profitability of Czechoslovak New Wave movies with the rest...
[[abstract]]Being deemed as a tendency, even the third revolution of the cinema, digital cinema is o...
Introduction to the film for the audience of KASKcinema, as part of the workings of Film-Plateau.sta...
This study is about the development of the Chinese movie industry through the economic and political...
In many ways there could not be a more fascinating method to investigate how Taiwan's Chinese Nation...
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden a...
Includes bibliographical references (page 88)Because of China's distinctive historical background, t...
Taiwan New Cinema continued for a long period, from 1982 when did appear In Our Time, a anthology fi...
Kuei-fen Chiu, Ming-yeh Rawnsley, Gary Rawnsle (eds.), Taiwan Cinema, International Reception and So...
Although film music research has been on the rise over the last decade, most research has focused on...
In the 1980s, a revamped film industry in Taiwan produced a number of international acclaimed films,...
This thesis explores the historical informal distribution of art cinema in Taiwan from 1986 to 2016....
Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital ...
This chapter aims to map out multifaceted transnationality vis-à-vis a consideration of the national...
This dissertation focuses on Healthy Realist Film Movement (jiankang xieshi dianying) and its influe...
The goal of the thesis is to compare the profitability of Czechoslovak New Wave movies with the rest...
[[abstract]]Being deemed as a tendency, even the third revolution of the cinema, digital cinema is o...
Introduction to the film for the audience of KASKcinema, as part of the workings of Film-Plateau.sta...
This study is about the development of the Chinese movie industry through the economic and political...