Add to ORKGTwo men of genius who came from nowhere to break the rules were David Garrick in 1741 and Sir Laurence Olivier in 1937. These two men will be the major subjects of this thesis. Both Garrick and Olivier introduced new styles of acting to the theatre in Shakespearian plays
Shakespeare composes Hamlet in c. 1601 and Richard Brome The Antipodes in c. 1636. Both dramatists r...
Laurence Olivier\u2019s two major Shakespearean TV interpretations (The Merchant of Venice, 1973; Ki...
Cette thèse entend montrer comment la naissance de la théorie du jeu théâtral au XVIIIe siècle contr...
This article examines how David Garrick (1717-1779) and Edmund Kean (1789-1833) relate their styles...
Starting from a discussion of Hogarth’s portrait of the great actor David Garrick playing Richard II...
I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation ...
David Garrick and George Anne Bellamy in Romeo and Juliet, Act V, Scene iii ; this image highlights ...
Pen and ink drawing (undated) of David Garrick (1717- 1779) in the role of Hamlet. Garrick was a ren...
How do we recapture, or hold on to, the live performances we most love, and the talented artists and...
This is the text of a five-minute presentation I recently gave as a training exercise at Cambridge. ...
Laurence Olivier was one of the best-known and most pioneering actor-directors of Shakespeare on scr...
This article examines three texts published between 1775 and 1840 that attempt to model an ideal rea...
Twin-starring roles are part of the virtuosity of the modem stage, especially with classical English...
Laurence Olivier's Hamlet is more a renaissance character, a melancholic and a daydreamer, than a ma...
I denne masteroppgaven analyserer jeg fire ulike tolkninger av Richard III; David Garrick, Edmund Ke...
Shakespeare composes Hamlet in c. 1601 and Richard Brome The Antipodes in c. 1636. Both dramatists r...
Laurence Olivier\u2019s two major Shakespearean TV interpretations (The Merchant of Venice, 1973; Ki...
Cette thèse entend montrer comment la naissance de la théorie du jeu théâtral au XVIIIe siècle contr...
This article examines how David Garrick (1717-1779) and Edmund Kean (1789-1833) relate their styles...
Starting from a discussion of Hogarth’s portrait of the great actor David Garrick playing Richard II...
I'm going to be speaking soon at a conference in Nice, entitled Musical and Theatrical Circulation ...
David Garrick and George Anne Bellamy in Romeo and Juliet, Act V, Scene iii ; this image highlights ...
Pen and ink drawing (undated) of David Garrick (1717- 1779) in the role of Hamlet. Garrick was a ren...
How do we recapture, or hold on to, the live performances we most love, and the talented artists and...
This is the text of a five-minute presentation I recently gave as a training exercise at Cambridge. ...
Laurence Olivier was one of the best-known and most pioneering actor-directors of Shakespeare on scr...
This article examines three texts published between 1775 and 1840 that attempt to model an ideal rea...
Twin-starring roles are part of the virtuosity of the modem stage, especially with classical English...
Laurence Olivier's Hamlet is more a renaissance character, a melancholic and a daydreamer, than a ma...
I denne masteroppgaven analyserer jeg fire ulike tolkninger av Richard III; David Garrick, Edmund Ke...
Shakespeare composes Hamlet in c. 1601 and Richard Brome The Antipodes in c. 1636. Both dramatists r...
Laurence Olivier\u2019s two major Shakespearean TV interpretations (The Merchant of Venice, 1973; Ki...
Cette thèse entend montrer comment la naissance de la théorie du jeu théâtral au XVIIIe siècle contr...